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Index
Cover Description Title Page Copyright Page Acknowledgments Contents Preface to the Second Edition Chapter One: The Cinematographer as Collaborator
Working with the Director
The Hiring Process Taking on the Project Style Serving the Story
Working with the Art Director Working with the Designers Rehearsals Composition Working with the Crew
Chapter Two: Lighting Equipment
Types of Light Sources
Tungsten Lights HMI Lights Fluorescent Lights LED Lights Fresnel Lights Ellipsoidal Reflector Spotlights Xenon Lights Beam Projectors Moving Lights PAR Lights Open-Face and Area Lights Soft Lights Compact Lights Accessories to Luminaires
Light Packages Power Supply
Chapter Three: Image Manipulation
Film Stock Digital Cameras Brightness Range Manipulation Measuring and Evaluating Light Picture and Waveform Monitors Color Gelatins Image Manipulation by Filters, Nets, and Other Optical Media Working with Smoke Image Manipulation in the Laboratory
Processing Timing and Printing
Digital Intermediate
Chapter Four: Anatomy of Lighting
Key Light, Fill Light, and Backlight Concepts
Key Light Fill Light Backlight
Chapter Five: Strategy of Lighting
Hard Versus Soft Controlling Hard Light Using and Controlling the Various Types of Soft Light
Box-Type Soft Light Diffused Light Bounced Light
Ambient Light Low Key, High Key Studio Versus Location Lighting for Multiple Cameras Lighting for Digital Video
Chapter Six: Lighting a Scene
Lighting Approach to a Scene Sources of Light Long Shot and Close-up Studio Day Interior Night Interior Treatment of Walls Using Practical Lamps Special Practicals Mirrors Process Shots Lighting Faces Beauty Lighting Lighting for Skin Tones Close-up Accessories Eye Light
Chapter Seven: Lighting on Location
Location Exterior
Daylight Sunset Day-for-Night Night-for-Night
Location Interior
Location Interior/Exterior
Location Lighting with Fluorescents Theater Interior Lighting Vehicle Lighting
Chapter Eight: Learning to Light Notes on the Contributors Glossary Bibliography Index
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