Western Art and the Wider World by Wood, Paul -- Read -- Imperial Library of Trantor

Index

Cover Title page Copyright page Dedication Illustrations Acknowledgments Introduction

Notes References

1 Renaissance and Old World

Introduction: The Status of the Renaissance Changing Histories Venice New Light on Perspective A Portrait Some History Paintings Later Notes References

2 Enlightenment and New World

America White and De Bry European Responses Science Allegory Enlightenment and Empire Pacific Art and Visual Truth Visual Truth and Fiction Ideas of Human Development Complicated Paradise Picturing the “Noble Savage” Art and “Curiosity” Eurocentrism Tupaia Notes References

3 Modernism and Modern World

Introduction In the Beginning … History and Empire European Effects Mughal India Japan China East–West Crossings Inception of “Orientalism” Looking Out Chinoiserie Exclusivity Hegel Other Ideas Orientalism Orientalism and Naturalism Orientalism Revisited Modernity Manet and “Japonisme” Primitivism The Question of Origins Primitivism and Expressionism Academy and Empire Benin Fry and Primitivism Later Modernist Primitivism Notes References

4 Avant-Garde, Contemporary, and Globalized World

To Mid-Century

“Modernist” and “Avant-garde” Futurism Relativizing Representation Surrealism and Ethnography Exhibition Mapping it Out Caribbean Realisms Mexico to Michigan Independence

Since Mid-Century

The Neo-avant-garde Across the Atlantic “Provincialism” Conceptual Art and Conceptualism Global Conceptualism Consequences Display Notes References

5 “World Art History” and “Contemporary Art”

Introduction “World Art History” Thinking “Contemporary Art” The Wider World Now Notes References

Index

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