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Index
Cover
Title
Copyright
Contents
Introduction
Chapter 1: From Old World to New Shores
Chapter 2: Accordion Jokes: A Folklorist’s View
Chapter 3: From Chanky-Chank to Yankee Chanks: The Cajun Accordion as Identity Symbol
Chapter 4: ’Garde ici et ’garde lá-bas: Creole Accordion in Louisiana
Chapter 5: “Tejano and Proud”: Regional Accordion Traditions of South Texas and the Border Region
Chapter 6: Preserving Territory: The Changing Language of the Accordion in Tohono O’odham Waila Music
Chapter 7: Accordions and Working-Class Culture along Lake Superior’s South Shore
Chapter 8: Play Me a Tarantella, a Polka, or Jazz: Italian Americans and the Currency of Piano-Accordion Music
Chapter 9: The Klezmer Accordion: An Outsider among Outsiders
Chapter 10: Beyond Vallenato: The Accordion Traditions in Colombia
Chapter 11: “A Hellish Instrument”: The Story of the Tango Bandoneón
Chapter 12: No ma’ se oye el fuinfuán: The Noisy Accordion in the Dominican Republic
Chapter 13: Between the Folds of Luiz Gonzaga’s Sanfona: Forró Music in Brazil
Chapter 14: The Accordion in New Scores: Paradigms of Authorship and Identity in William Schimmel’s Musical “Realities”
Glossary
Contributors
Index
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