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Index
Front Cover
Half Title
Title Page
Copyright
CONTENTS
Introduction
Titian’s Last Painting: The Sight of Death
An Inglorious Passing; or, The Difficult Case of the Pietà
How ‘Venetian’ was Titian?
Surrogate Monuments to the Leader of a Tradition
ONE: Art as Appropriation: The Rise of Titian
Giovanni Bellini: The Model Venetian
Bellini and Titian: Master and Pupil
Titian and the Venetian Istoria
Titian and Giorgione
Giorgione and Titian’s Early Portraiture
The Early Mythologies
Titian Repaints Palma Vecchio
TWO: Remaking Tradition: Icons and Altarpieces
Anachronic Titian
The Modern Icon
The Cultural Dynamics of Space in Two Altarpieces for Venice
Private Values in a Public Picture Type
Altarpiece or Artwork?
THREE: Portraiture and Non-venezianità
Portraiture in Renaissance Venice
Titian’s Portraits to 1530: Accommodation of the Courts
Habsburg and Related Portraits of the 1530s
Historical Portraits
Natura Potentior Ars
FOUR: Sacred Painting, the Poesie and the Late Style
Titian as Tradition
Titian’s Hybrid Poesie
Two Late Mythologies
Early Responses to Titian’s Late Style
The Late Style in Critical and Historical Perspective
FIVE: Titian and Venice: Surviving the Father of Art
Patrons and Prices
Titian versus the Rest: A Literary Self-image
Pictor et eques: Titian’s Self-portraits
Images of Succession
Images of Attachment
The Darker Side of Titian; or, The Anti-image
Venetian Responses to Titian: Veronese and Tintoretto
Conclusion
Titian and the End of the Venetian Renaissance
Titian in Disguise
REFERENCES
BIBLIOGRAPHY
ACKNOWLEDGEMENTS
PHOTO ACKNOWLEDGEMENTS
INDEX
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