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Index
Cover
Title page
Copyright page
Table of Contents
Dedication
Introduction
Reviews
The Return of Robert Altman: The Player
Riff Raff and the Films of Ken Loach
Jane Campion’s The Piano: A Sensitive Touch to a Fairly Selfish Theme
Naked Truth: Mike Leigh’s Naked
A Poor Man Pursues Love: Through the Olive Trees
How a Worker’s Life Is Used Up: A Borrowed Life
Four Films from Taiwan and China
Titanic as a Social Phenomenon
Orson Welles’s Touch of Evil: That Ticking Noise in Our Heads
A Horrible State of War: The Thin Red Line
Cast Adrift: Sam Raimi’s A Simple Plan
The Unhappiness of Youth: Boys Don’t Cry
The Rise and Fall and Rise Again of John Waters: Cecil B. Demented
Children in the Mountains: A Time for Drunken Horses
Independent Filmmaking That Is Genuinely Independent: Platform and Yi Yi
Whither the Coen Brothers? O Brother, Where Art Thou?
The Limitations of Ed Harris’s Pollock
American Madness: Apocalypse Now Redux
Gangs of New York: Misanthropy and Contemporary American Filmmaking
A Convenient Vagueness: Elephant
Why Has The Passion of the Christ Evoked Such a Popular Response in America?
Kill Bill, Vol. 2: A Culture at the End of Its Rope
Michael Moore’s Contribution: Fahrenheit 9/11
Ghost Town: Melinda and Melinda
Steven Spielberg’s Munich: Art as Humanization
Terence Davies’s Of Time and the City: What the Filmmakers Now See
Waltz With Bashir: “Memory Takes Us Where We Need to Go”
Luchino Visconti’s Senso: Drama and History
Anonymous: An Ignorant Assault on Shakespeare
The Award-Winning A Separation and the Humanity of the Iranian People
Film Festivals
Filmmaking Needs a New Perspective
The Success and Failure of the International “Style of Quality” in Cinema
The Two Paths
World Cinema and the World’s Problems
The “New Seriousness” in Cinema
Polarization and Protest
The World at Large and Closer to Home
Interviews
“Human Beings and Their Problems Are the Most Important Raw Material for Any Film”: An Interview with Abbas Kiarostami
An Interview with Film Critic Andrew Sarris
A Conversation with Film Critic Robin Wood
An Interview with Jia Zhangke, Director of The World
An Interview with British Filmmaker Mike Leigh
Essays & Film History
On What Should the New Cinema Be Based?
Hollywood Honors Elia Kazan: Filmmaker and Informer
An Interview with Blacklist Victim Abraham Polonsky
Film, History and Socialism
An Evaluation of Roman Polanski as an Artist
The Crisis of American Filmmaking and Cultural Life
Index
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