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Index
Cover Page
Dedication
Title Page
Copyright Page
Contents
List of Contributors
Acknowledgments
Introduction: Christopher Marlowe the Craftsman: Lives, Stage, and Page
Part 1 Lives: Scholarship and Biography
1 Marlowe Scholarship and Criticism: The Current Scene
2 Marlowe Thinking Globally
3 Reviewing What We Think We Knowabout Christopher Marlowe, Again
4 Was Marlowe a Violent Man?
Part 2 Stage: Theater, Dramaturgy
5 Edward II and Residual Allegory
6 What Shakespeare Did to Marlowe in Private: Dido, Faustus, and Bottom
7 The Jew of Malta and the Development of City Comedy: “The Mean Passage of a History”
8 Speaking to the Audience: Direct Address in the Plays of Marlowe and His Contemporaries
Part 3 Page: Texts and Interpretations: Marlowe the Ovidian
9 On the Eventfulness of Hero and Leander
10 Marlowe’s First Ovid: Certaine of Ovids Elegies
11 Marlowe and Marston’s Cursus
12 Marlowe’s Last Poem: Elegiac Aesthetics and the Epitaph on Sir Roger Manwood
Page: Texts and Interpretations: Marlowe’s Reach
13 Hell is Discovered: The Roman Destination of Doctor Faustus
14 Consuming Sorrow: Conversion and Consumption in Tamburlaine: Part One
15 Fractional Faustus: Edward Alleyn’s Part in the Printing of the A-Text
Bibliography
Index
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