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Index
Cover
Title Page
Copyright
Contents
Acknowledgments
Introduction
Part One: Libraries, Archives, Databases, Editions
1 Unpacking My Digital Library: Programs, Modernisms, Magazines
2 Archival Problems, Future Possibilities: Reconceptualizing the Digital Database in Canada
3 Editing Modules, Collecting Editions: The Present and Future of Small-Scale Digital Critical Editions
4 The HyperRoy Project: New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts
5 Reading the Personal Library, Rereading F.R. Scott
Part Two: Collaborations
6 BaronessElsa: An Autobiographical Manifesto
7 Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ⇔ Digital Projects
8 Annotating Malcolm Lowry’s In Ballast to the White Sea
9 Editing a Legend: George Whalley
10 Canadian Manifestos: Between Poetics and Polemics
Part Three: Selective Traditions and Alternative Modernisms
11 Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial Practice
12 When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and Canada’s Archived Avant-Garde
13 Bringing the Text to Life: Editing The God of Gods
14 Landscapes of Reception: Historicizing the Travails of the New Brunswick Literary Modernists
15 Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s
Works Cited
Contributors
Index
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