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Index
Cover page
Halftitle page
Title page
Copyright page
Dedication page
Contents
Illustrations
Figures
Text Illustrations
Preface
Chronology
Part One: : 1921–1932
1 . : A Year in Paris, 1921–1924
Nature, genius, and the state of the world
Canto II: seeing the light
‘Le Testament’ or Pound’s Villon: in the dark
A new theory of harmony
Year 1 of a new era: kaleidoscope
A renaissance man
Life and times: 1923–1924
2 . : From Rapallo, 1924–1932
Human complications
Saving the world by pure form
A sextant for ‘A Draft of XXX Cantos’
Literary relations old and new
In the sphere of action
Cavalcanti: the intelligence of love
Threads, tesserae
Part Two : : 1933–1939
3 . : A Democrat in Italy, 1933
Il Poeta meets Il Duce
Revolutionary economics
Making music of history: ‘Cantos 31–41’
Note: A historian, the Bank Wars, and the New Deal
4 . : Things Fall Apart, 1933–1937
The turning point: 1935–1936
‘The boss knows his business’
Music, money, cantos
‘The Fifth Decad’: against Usura
The form and pressure of the time
5 . : Ideas of Order, 1937–1939
‘Immediate need of Confucius’
Signor Mussolini speaks
To educate
Anschluss
Going wrong, thinking of rightness
Czechoslovakia sacrificed
Comings and goings
The end of Czechoslovakia
Two books for governors: (1) cantos 52–61
Two books for governors: (2) cantos 62–71
6 . : Alien in America
Appendices
A. Outline of Pound’s Le Testament or Villon
B. A brief history of Le Testament or Villon
C. Outline of Cavalcanti. A sung dramedy in 3 acts
D. EP, ‘Huey, God bless him’, an unpublished article intended for New Democracy, enclosed with a letter to Gorham Munson dated ‘13 or 14 Aug. [1935]’ (HRC)
E. The founding of the Bank of England, and the US National Banking Act (46/233)
Abbreviations
The Principal Writings of Ezra Pound (1885–1972)
Writings by Others
Other Abbreviations
Notes
Part One: 1921–1932
Part Two: 1933–1939
Acknowledgement
Copyright
Index
Plate
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