Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Half title
Title
Copyright
Contents
Acknowledgments
Note on Transliteration
List of Abbreviations
Introduction
Part I. From Silence to Sound
1 From the History of Graphic Sound in the Soviet Union; or, Media without a Medium
2 Silents, Sound, and Modernism in Dmitry Shostakovich’s Score to The New Babylon
3 To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union
4 ARRK and the Soviet Transition to Sound
5 Making Sense without Speech: The Use of Silence in Early Soviet Sound Film
Part II. Speech and Voice
6 The Problem of Heteroglossia in Early Soviet Sound Cinema (1930–35)
7 Challenging the Voice of God in World War II–Era Soviet Documentaries
8 Vocal Changes: Marlon Brando, Innokenty Smoktunovsky, and the Sound of the 1950s
9 Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema
Part III. Music in Film; or, The Sound Track
10 Kinomuzyka: Theorizing Soviet Film Music in the 1930s
11 Listening to Muzykal’naia istoriia (1940)
12 The Music of Landscape: Eisenstein, Prokofiev, and the Uses of Music in Ivan the Terrible
13 The Full Illusion of Reality: Repentance, Polystylism, and the Late Soviet Soundscape
14 Russian Rock on Soviet Bones
Bibliography
Contributors
Index
← Prev
Back
Next →
← Prev
Back
Next →