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Index
Cover
Half title
Title
Copyright
Contents
Acknowledgments
Introduction
I: Methods and Mechanics
1 British Television in the American Marketplace
2 No Contest: American Idol and the Culture of Competition
3 Americanization, Hollywoodization, or English-Language Market Variation? Comparing British and American Versions of Cracker
4 A Hollywood Gamble: Blackpool, Viva Laughlin, and the Failed Mechanics of Americanization
II: Personal and Political
5 Public Education: What Not To Wear in the United Kingdom and the United States
6 “Making Do” vs. “Making Anew”: What Not to Wear in Britain and America
7 “There’s nowt as Queer as Folk”: British and American Televisual Approaches to the Politics of Homosexuality
8 Friend, Boss, and Entertainer? The Embattled Self as a Guiding Theme in the British and American Productions of The Office
III: Text and Context
9 Memory and the 1996 American Remake of Doctor Who
10 Memories of Mars: Life on Mars and the Discursive Practices of Memory
11 Translating the Hyperreal (Or How the The Office Came to America, Made Us Laugh, and Tricked Us into Accepting Hegemonic Bureaucracy)
12 Come On Over! The African Americanization of Steptoe and Son
Index
About the Contributors
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