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Index
Cover
Series Page
Title Page
Copyright
Contents
Acknowledgments
Introduction
1. “Seeing with the Eyes of the Work” (Adorno): Césaire’s Cahier and Modernist Print Culture
2. The Empirical Subject in Question: A Drama of Voices in Aimé Césaire’s Et les chiens se taisaient
3. Poetry and the Typosphere in Léon-Gontran Damas
4. Léon-Gontran Damas: Writing Rhythm in the Interwar Period
5. Red Front / Black Front: Aimé Césaire and the Affaire Aragon
6. To Inhabit a Wound: A Turn to Language in Martinique
Conclusion
Appendix 1: English Translation of Léon-Gontran Damas’s “Hoquet”
Appendix 2: English Translation of Aimé Césaire’s “Calendrier lagunaire”
Notes
Index
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