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Index
Cover
Half Title
Title Page
Copyright Page
Table of Contents
General Editors’ Preface
Preface
Acknowledgements
Introduction
1. Classical perspectives: towards scientific socialism
2. Critical departures
3. Critical classicism and since
4. Results and prospects: notes for now
Rhetorics in history
Reading
History
‘Cultural Polities’
Notes
1. On Literature as an Ideological Form
Marxist theses on literature and the category of ‘reflection’
Can there be a ‘Marxist aesthetic’?
The materialist category of reflection
Literature as an ideological form
The process of production of aesthetic effects in literature
The specific complexity of literary formations – ideological contradictions and linguistic conflicts
Fiction and realism: the mechanism of identification in literature
The aesthetic effect of literature as ideological domination-effect
Notes
2. Free Particulars: the Rise of the Aesthetic
Notes
3. Pandora’s Box: Subjectivity, Class and Sexuality in Socialist Feminist Criticism
I
II
III
IV
Notes
4. Jane Austen and Empire
Notes
5. The Moment of Truth: the Geography of Modern Tragedy
Germany: battlefield of modernity
Tragedy versus the novel
Tragedy and revolutionary politics
Notes
6. The Bloomsbury Fraction
The formation of Bloomsbury
Godwin and his circle
The Pre-Raphaelite Brotherhood
The Bloomsbury fraction
The contribution of Bloomsbury
Notes
7. Theory of the Avant-garde and Critical Literary Science
The historicity of aesthetic categories
The avant-garde as the self-criticism of art in bourgeois society
Regarding the discussion of Benjamin’s theory of art
Notes
8. Beyond the Cave: Demystifying the Ideology of Modernism
Notes
9. Marxism and Popular Fiction
Literature, popular fiction and the bourgeois literary formation
Against Literature
Marxist criticism: a deformed materialism
The problem of value
The literary and the ideological
Questions of political calculation
Notes
10. Licensed to Look: James Bond and the Heroism of Consumption
Thrillers of the spectacle
Killing time
Thrilling cities
For Your Eyes Only
Notes
11. Lessons from Brecht
Distance and separation
Film theatre
Narrative/montage
Tradition and domination
Cinema
Critical theory
Notes
Further Reading
(1) The tradition
(a)
(b)
(c)
(2) Historical, critical and other
(3) Journals
Index
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