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Index
Cover Half Title Title Page Copyright Page Table of Contents General Editors’ Preface Preface Acknowledgements Introduction
1. Classical perspectives: towards scientific socialism 2. Critical departures 3. Critical classicism and since 4. Results and prospects: notes for now
Rhetorics in history Reading History ‘Cultural Polities’
Notes
1. On Literature as an Ideological Form
Marxist theses on literature and the category of ‘reflection’
Can there be a ‘Marxist aesthetic’? The materialist category of reflection Literature as an ideological form
The process of production of aesthetic effects in literature
The specific complexity of literary formations – ideological contradictions and linguistic conflicts Fiction and realism: the mechanism of identification in literature The aesthetic effect of literature as ideological domination-effect
Notes
2. Free Particulars: the Rise of the Aesthetic
Notes
3. Pandora’s Box: Subjectivity, Class and Sexuality in Socialist Feminist Criticism
I II III IV Notes
4. Jane Austen and Empire
Notes
5. The Moment of Truth: the Geography of Modern Tragedy
Germany: battlefield of modernity Tragedy versus the novel Tragedy and revolutionary politics Notes
6. The Bloomsbury Fraction
The formation of Bloomsbury Godwin and his circle The Pre-Raphaelite Brotherhood The Bloomsbury fraction The contribution of Bloomsbury Notes
7. Theory of the Avant-garde and Critical Literary Science
The historicity of aesthetic categories The avant-garde as the self-criticism of art in bourgeois society Regarding the discussion of Benjamin’s theory of art Notes
8. Beyond the Cave: Demystifying the Ideology of Modernism
Notes
9. Marxism and Popular Fiction
Literature, popular fiction and the bourgeois literary formation Against Literature Marxist criticism: a deformed materialism
The problem of value The literary and the ideological Questions of political calculation
Notes
10. Licensed to Look: James Bond and the Heroism of Consumption
Thrillers of the spectacle Killing time Thrilling cities For Your Eyes Only Notes
11. Lessons from Brecht
Distance and separation Film theatre Narrative/montage Tradition and domination Cinema Critical theory Notes
Further Reading
(1) The tradition
(a) (b) (c)
(2) Historical, critical and other (3) Journals
Index
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