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Index
Title Page
Copyright Page
Table of Contents
PREFACE
ON WARBURG, BILDAKT AND EMBODIMENT
I. BILDAKT (PICTURE ACT)
THE PICTURE ACT:TRADITION, HORIZON, PHILOSOPHY
1. Imagines agentes and their Impacton Philosophy
2. Spheres of the Picture Act (Bildakt)
3. Picture Act, New Phenomenology, Philosophyof Embodiment
4. The Ego of Shaped Forms
EXTENDED IMAGERY, EXTENDED ACCESS,OR SOMETHING ELSE?
Introduction
Complementarity and Parity
Pictures as Extended Imagery
Homo Depictor
1. Pictures as Tools
2. Pictures and Perception
3. Pictures as External Embodiment
Concluding Remarks
BILDAKT DEMYSTIFIED
1.
2.
3.
4.
5.
6.
PICTURE ACT METHOD
1. Introduction – Methodological Reflections
2. The Counter-Image – Picture Act
3. Connotations and Allusions
II. TRADITIONS
THOUGH THIS BE MADNESS: EDGAR WIND AND THE WARBURG TRADITION
1.
2.
3.
4.
5.
APPENDIX
“EIN GEISTVOLLER AMERIKANER”
1. Edgar Wind’s Two “Masters”
2. The Theoretical Gist: Habit, Habitus, Hexis
3. Peirce’s Aristotelian Epistemology: Unconscious, Perception, Drawing
4. Panofsky: Habitus and Iconology
5. Gombrich and Pragmatism
III. THE ACTING BODY
MOVING SPEECH
1. Embodiment Views on Language
2. Delivery
3. Language in Motion
4. How Natural is Naturalness?
“NOT ONLY FROM HIS HAND BUT ALSO FROM HIS TEMPER”
1.
2.
3.
4.
5.
HAPTIC PERCEPTION IN MATTIA PRETI’S DOUBTING THOMAS (1635/40)
Textual Sources
Iconographic Tradition
Caravaggio and the Caravaggists of Utrecht
Preti’s Special Solution
The Haptic Picture
THE CATHEDRAL OF SANTIAGO DE COMPOSTELA AS A TACTILE THEATER
Santiago Cathedral as a Space for Experiencing Picture Acts
Haptic Stimuli I – The Hands Start to Move at the Entrance
Haptic Stimuli II – Hands in the Romanesque Bocca della verità
Haptic Stimuli III – Hands on Magister Matheus
Haptic Stimuli IV – Hugging St. James
The Maximization of Haptic Stimuli
IV. THE LIVING BODY
BODILY COMMUNICATION IN PICTURE ACTS
Introduction
Aesthetic Experience as Resonance: Rhythmic Organization of Vital Processes and Artworks
Body-Schematic Affection as a Principle of Aesthetic Experience
Embodiment: Form Processes in Transition From Lived Bodies to Signifying Bodies
Picture Acts: Aby Warburg and Ernst Cassirer
LIFE, BUT NOT AS WE KNOW IT
The Denial of Death
Wax as Flesh
Casts of Saints
Wax and Magic
Infectious Matter
PICTURE CREDITS
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