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Index
Cover Title Page Copyright Contents List of Tables and Figures Acknowledgments Introduction 1 Recent Studies of First Nations, Inuit, and Métis Music in Canada Part One: Innovating Tradition
2 Continuity and Innovation in the Dane-zaa Dreamers’ Song and Dance Tradition: A Forty-Year Perspective 3 From Tea Dance to iTunes: Recomposing Dane-zaa Dreamers’ Songs 4 Localizing Intertribal Traditions: The Powwow as Mi’kmaw Cultural Expression 5 Contemporary Northern Plains Powwow Music: The Twin Influences of Recording and Competition 6 Aboriginal Women and the Powwow Drum: Restrictions, Teachings, and Challenges
Part Two: Teaching and Transmission
7 The sound of what I hear on earth 8 Reflecting on Reflexivity: Teaching and Conducting Research in an Inuit Community 9 Moose Trails and Buffalo Tracks: Métis Music and Aboriginal Education in Canada 10 One Strong Woman: Finding Her Voice, Finding Her Heritage 11 Learning about and Supporting Aboriginal Music and Culture: A Personal Journey
Part Three: Cultural Interactions and Negotiations
12 Intercultural Collaboration 13 Listening to the Politics of Aesthetics: Contemporary Encounters between First Nations/Inuit and Early Music Traditions 14 Musical Form as Theatrical Form in Native Canadian Stage Plays: Moving through the Third Space 15 Music and Narrative in The Unnatural and Accidental Women 16 Music, Religion, and Healing in a Mi’kmaw Community 17 “No Heartaches in Heaven”: A Response to Aboriginal Suicide 18 Arnie Strynadka, “The Uke-Cree Fiddler” 19 Bits and Pieces of Truth: Storytelling, Identity, and Hip Hop in Saskatchewan 20 Why Do the Innu Sing Popular Music? Reflections on Cultural Assertion and Identity Movements in Music 21 Aboriginal Popular Music in Quebec: Influences, Issues, and Rewards 22 Gilles Sioui: Supporting and Performing with Aboriginal Artists in Quebec
Bibliography Interviews Cited Internet Sites Discography Videography Contributors Index
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