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Index
Cover Title Page Foreword Preface Acknowledgements
National Radio Regional Radio Local Radio Growth BBC Local Radio Commercial Local Radio Digital Radio Radio via DAB Radio via Digital Television Radio via the Internet Radio via Mobile Phone Community Radio Restricted Radio Pirate Radio North America Australia and New Zealand India Europe France Germany Spain Italy Ireland The Netherlands South Africa Russia The Far East Japan China Thailand Singapore Malaysia Understanding Radio Radio versus Newspaper and Television Speed and Simplicity Making Pictures Person-to-person Localness The Making of a Broadcaster Qualities of a Good Radio Journalist Starting Out Newsroom Structure Head of News or News Editor Bulletin Editor Broadcast Journalist or Reporter Small Newsrooms Television Journalists Getting The Job Work Experience Local Newspapers Hospital Radio Student Radio College Courses BBC Training Schemes Traffic and Travel Broadcasting Restricted and Community Stations Freelancing Marketing Yourself CV and Demo Persistence The Job Interview Preparation Nerves Body Language Journalistic Tests Awkward Questions Thank you! News Agenda The Target Listener Relevance Content Hard News Soft News News Sources The Emergency Services News Releases Electronic Press Kits Public Utilities Politicians and Councillors Listeners Colleagues Pressure Groups Freelance Journalists and Agencies Courts Local Experts Rival Broadcasters The Internet Previous Sources ‘Fishing Expeditions’, ‘Honey Traps’ and ‘Dangling Worms’! National News Radio News Agencies Local Intake Data Feeds Live Bulletins TV Audio Wire Services Generating Planning and Developing Stories The Newsroom Diary Newsdesk Resource Management The Prospects List The Editorial Meeting The Angle More Angles The Treatment Developing Stories Checking Information Newsroom Contacts Resisting Pressure Embargoes Originating Stories The Silly Season Story Treatment Copy Interviews Cuts Clips and Soundbites Voicers or Voice Pieces Wraps and Packages Two-Ways Multi Versions Other Treatments Newsroom Style Guide The Radio Reporter The Briefing Fixing Ahead Working to Deadlines On Location What To Do First Eyewitness Accounts Dealing with Officials Dealing with Other Reporters Doorstepping ‘No Comment’ Health & Safety Filing Material On-the-Spot Voicers Two-Ways Live Reports or ‘Action Rants’ ‘Car Park’ Voicers Audio Production Getting Organised Choosing The Cut Wraps and Packages Speed Packages Cues Types of Interview Informational Interviews Interpretive Interviews Emotional Interviews Interview Preparation Choosing The Interviewee Approach and Persuasion Before Starting Location Holding The Microphone ‘What Did You Have For Breakfast …?’ Question Technique The Famous Five Body Language Your First Question The Next Questions Asking One Thing at a Time Putting Arguments Tough Questions Leading Questions Cliché Questions Hypothetical Questions Non Questions The Final Question The Answers Coaching Interviewees One Word Answers Verbose Answers Evasions Prepared Statements Looking At Notes After The Interview Thanks Special Interviews Studio Interviews Telephone Interviews Telephone Versus Quality Audio Live Interviews Vox Pops News Conferences and ‘Scrums’ Unattended Studios Interviewing Other Reporters Interviewing Children Interviewing Criminals Interviewing Witnesses Interviewing Politicians Sports Interviews Telling The Story For The Ear Not The Eye Keep It Short Keep It Simple Keep It Focused Keep It Active Keep It Accurate Keep It Understandable Keep It Fresh Keep Reading It Out Loud! Keep It Objective Building The Story Language and Grammar Writing Techniques and Style Abbreviations and Acronyms Americanisms ‘But …’ Characterisation Clichés Comparisons Connectives Contractions Dates Details Doublespeak Extra Words False Possessives First Words Foreign Words Jargon Journalese Localising Management Speak Mixed Metaphors Names Negative Leads Numbers Organisations Oxymorons and Tautology Per Place Names Points Of View Polls Pronouns Political Speak Punctuation Quotations and Questions Singulars and Plurals ‘Stretchers’ Superlatives Taste Titles Time Trade Names Vogue Words ‘Which’ and ‘That’ ‘You’ and ‘Yours’ Writing Cues Before Starting The First Line More Detail Into the Audio The Audio After Writing Cue Layout Avoiding Offence Race Sex and Gender Disabled People Other Sensitivities Contextual Writing Attribution Exaggeration Objectivity Cause and Effect Casualty Figures Descriptions The Truth Bulletin Styles Brands Youth Stations Adult Stations Versioned Bulletins Regional Bulletins The Hub Pre-Recorded Bulletins ‘Infotainment’ Zoo Formats Co-Presenting Bulletin Production Running The Newsdesk Getting Organised Taking Audio Organising Audio and Scripts Check Calls Bulletin Essentials Deadlines Building Blocks The Lead Story ‘Livers’ The Rest of the Bulletin And Finally … Story Distribution ‘Churn’ Alternate versus Sequence Holding Copy Quality versus Quantity Signposting Showbiz Sport Weather Clock Starts and Ends ‘Flash That Snap!’ Dayparts Breakfast Bulletins Midday Bulletins Afternoon Bulletins Overnights Rewrites Deciding Coverage The Prospects Meeting The Story The Angle The Treatment Transmission Time and Duration Coverage Reporters Commissioning Stories Priorities Coping In A Crisis The Network Guests Choosing Guests Approaching Potential Guests Resources Rotas Budgets Estimating Costs Cutting Costs Complaints Phoned Complaints Correcting Errors Solicitors Winning Audiences Audience Measurement Targeting Audiences Presentation Formats Promos Sponsorship 10 NEWS PRESENTATION Reading The News Voice Sitting and Breathing Microphones and Headphones Talkback Check and Rehearse Understanding Pronunciation Newsreading Mechanics Projection Speed Stress Quotations Diction Intonation Tone Listen Gestures Marking Scripts Self-Op Bulletins Getting Ready In The Studio ‘Here Is The News…’ When Things Go Wrong Verbal Fluffs Technical Problems Breaking News Stories ‘We’re Getting Reports That …’ Going ‘Open Ended’ Adlibbing Sight Reading ‘Potting’ Audio Reading Off Screen Recording Your Voice 11 TECHNICALITIES Audio Recording Audio Editing Digital Editing The Modern Bulletin Desk Studios Playout Systems Equipment Microphones Headphones On Location Portable Recorders Batteries, Disks and Mics Remote Studios ISDNs Radio Cars Matrix ‘Woody’ MP3s, Palm PCs and Wireless Hot Spots Audio and Actuality Sound Quality Dubbing Levels and Equalisation 12 THE LAW AND REGULATION Libel Justification Fair Comment Privilege Innocent Dissemination Public Interest Other Defences Criminal Libel ‘Allegedly …’ Other Problem Areas Rejoinders Contempt Preliminary Stages Remand and Committal Hearings Proof and Penalties A Step-by-Step Guide to Contempt Court Reporting and Other Legalities Basic Reporting Rules The Grammar of Courts Sexual Offences Children and Young People Jigsaw Identification Civil Law Inquests Official Secrets Injunctions Breach of Confidence Copyright Freedom of Information Act Elections General Guidelines Close of Nominations Programme Packages Discussion Programmes Other News Items Election Phone-Ins Opinion Polls Polling Day Regulation Impartiality and Accuracy Fairness Privacy Children and Young People Harmful or Offensive Material Inciting Crime or Disorder Religious Beliefs Transparency and Accountability Sponsorship and Commercial 13 ETHICS Truth and Accuracy Taking Notes and Keeping Records Fact Checking Contacts Hoaxes Identifying Sources Anonymous Sources Impartiality and Diversity Fairness Informed Consent Editing and Production Privacy Public Interest Secret Recordings and Phone Interviews Doorstepping Media Scrums Tag Alongs Anniversary Events Missing People Deaths and Funerals Editorial Integrity and Independence Tipoffs Freebies and Media Facilities Conflicts of Interest Professional Balance Ethical Dilemmas The NUJ’s Code of Conduct 14 ‘AND FINALLY …’
GLOSSARY Imprint
1 RADIO IN THE UK 2 RADIO WORLDWIDE 3 WORKING IN RADIO NEWS 4 NEWS GATHERING 5 NEWS REPORTING 6 NEWS INTERVIEWING 7 NEWS WRITING 8 NEWS BULLETINS 9 NEWS EDITING
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