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Index
Title Page
Copyright Page
Contents
Notes on contributors
Acknowledgments
Chronology
List of abbreviations
Introduction: Mendelssohn as border-dweller Peter Mercer-Taylor
Part I • Issues in biography
1 Mendelssohn and the institution(s) of German art music Peter Mercer-Taylor
2 Mendelssohn and Judaism Michael P. Steinberg
3 Felix and Fanny: gender, biography, and history Marian Wilson Kimber
Part II • Situating the compositions
4 Mendelssohn and the rise of musical historicism James Garratt
5 Mendelssohn as progressive Greg Vitercik
Part III • Profiles of the music
6 Symphony and overture Douglass Seaton
7 The works for solo instrument(s) and orchestra Steve Lindeman
8 Mendelssohn’s chamber music Thomas Schmidt-Beste
9 The music for keyboard Glenn Stanley
10 On Mendelssohn’s sacred music, real and imaginary R. Larry Todd
11 Mendelssohn’s songs Susan Youens
12 Felix Mendelssohn’s dramatic compositions: from Liederspiel to Lorelei Monika Hennemann
Part IV • Reception and performance
13 Mendelssohn received John Michael Cooper
14 Wagner as Mendelssohn: reversing habits and reclaiming meaning in the performance of Mendelssohn’s music for orchestra and chorus Leon Botstei
Notes
Select bibliography
Index
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