Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Acknowledgments
Introduction
1. Suggestion, Hypnosis, and Crime: Robert Wiene’s The Cabinet of Dr. Caligari (1920) STEFAN ANDRIOPOULOS
2. Of Monsters and Magicians: Paul Wegener’s The Golem: How He Came into the World (1920) NOAH ISENBERG
3. Movies, Money, and Mystique: Joe May’s Early Weimar Blockbuster, The Indian Tomb (1921) CHRISTIAN ROGOWSKI
4. No End to Nosferatu (1922) THOMAS ELSAESSER
5. Fritz Lang’s Dr. Mabuse, the Gambler (1922): Grand Enunciator of the Weimar Era TOM GUNNING
6. Who Gets the Last Laugh? Old Age and Generational Change in F. W. Murnau’s The Last Laugh (1924) SABINE HAKE
7. Inflation and Devaluation: Gender, Space, and Economics in G. W. Pabst’s The Joyless Street (1925) SARA F. HALL
8. Tradition as Intellectual Montage: F. W. Murnau’s Faust (1926) MATT ERLIN
9. Metropolis (1927): City, Cinema, Modernity ANTON KAES
10. Berlin, Symphony of a Great City (1927): City, Image, Sound NORA M. ALTER
11. Surface Sheen and Charged Bodies: Louise Brooks as Lulu in Pandora’s Box (1929) MARGARET MCCARTHY
12. The Bearable Lightness of Being: People on Sunday (1930) LUTZ KOEPNICK
13. National Cinemas / International Film Culture: The Blue Angel (1930) in Multiple Language Versions PATRICE PETRO
14. Coming Out of the Uniform: Political and Sexual Emancipation in Leontine Sagan’s Mädchen in Uniform (1931) RICHARD W. MCCORMICK
15. Fritz Lang’s M (1931): An Open Case TODD HERZOG
16. Whose Revolution? The Subject of Kuhle Wampe (1932) MARC SILBERMAN
Filmography
Contributors
Index
← Prev
Back
Next →
← Prev
Back
Next →