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Index
Imprint
Subvention
Title
Copyright
Dedication
Contents
List of Illustrations
Acknowledgments
1. The Military’s Cinema Complex
Part One. The Military’s Cinema Apparatus
2. Experimental Viewing Protocols: Film Projection and the American Military
3. Mobilizing the Moving Image: Movie Machines at US Military Bases and Veterans’ Hospitals during World War II
4. Through America’s Eyes: Cinerama and the Cold War
5. An Army of Theaters: Military, Technological, and Industrial Change in US Army Motion-Picture Exhibition
Part Two. Strategies of Viewing
6. War in Peace: The American Legion and the Continuing Service of Film
7. Managing the Trauma of Labor: Military Psychiatric Cinema in World War II
8. The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II
9. Epistemology of the Checkpoint: Gillo Pontecorvo’s Battle of Algiers and the Doctrine of Counterinsurgency
Part Three. Military-Made Movies
10. Between the Front Lines: Military Training Films, Machine Guns, and the Great War
11. From Wartime Instruction to Superpower Cinema: Maintaining the Military-Industrial Documentary
12. Framing the Bomb in the West: The View from Lookout Mountain
13. Occupation, Diplomacy, and the Moving Image: The US Army as Cultural Interlocutor in Korea, 1945–1948
14. Shots Made around the World: DASPO’s Documentation of the Vietnam War
Part Four. The Military and its Collaborators
15. War, Media, and the Security of State and Capital
16. Star Testimonies: World War and the Cultural Politics of Authority
17. “A Treacherous Tightrope”: The Office of War Information, Psychological Warfare, and Film Distribution in Liberated Europe
18. “A Campaign of Truth”: Marshall Plan Films in Greece
Bibliography
List of Contributors
Index
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