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Index
THE
COMPLETE POETICAL WORKS
OF
SAMUEL TAYLOR COLERIDGE
INCLUDING
POEMS AND VERSIONS OF POEMS NOW
PUBLISHED FOR THE FIRST TIME
EDITED
WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
BY
ERNEST HARTLEY COLERIDGE
OXFORD AT THE CLARENDON PRESS 1912
PREFACE
CONTENTS OF THE TWO VOLUMES
ABBREVIATIONS
ERRATA
POETICAL WORKS
POEMS
EASTER HOLIDAYS[1:1]
FOOTNOTES:
DURA NAVIS[2:1]
FOOTNOTES:
NIL PEJUS EST CAELIBE VITÂ[4:1]
[IN CHRIST'S HOSPITAL BOOK]
FOOTNOTES:
SONNET[5:1]
TO THE AUTUMNAL MOON
FOOTNOTES:
LINENOTES:
ANTHEM[5:2]
FOR THE CHILDREN OF CHRIST'S HOSPITAL
FOOTNOTES:
LINENOTES:
JULIA[6:1]
[IN CHRIST'S HOSPITAL BOOK]
FOOTNOTES:
LINENOTES:
QUAE NOCENT DOCENT[7:1]
[IN CHRIST'S HOSPITAL BOOK]
FOOTNOTES:
THE NOSE[8:1]
FOOTNOTES:
LINENOTES:
TO THE MUSE[9:1]
FOOTNOTES:
LINENOTES:
DESTRUCTION OF THE BASTILE[10:1]
FOOTNOTES:
LINENOTES:
LIFE[11:1]
FOOTNOTES:
LINENOTES:
PROGRESS OF VICE[12:1]
FOOTNOTES:
LINENOTES:
MONODY ON THE DEATH OF CHATTERTON[13:1]
[FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790]
FOOTNOTES:
LINENOTES:
AN INVOCATION[16:1]
FOOTNOTES:
ANNA AND HARLAND[16:2]
FOOTNOTES:
LINENOTES:
TO THE EVENING STAR[16:3]
FOOTNOTES:
PAIN[17:1]
FOOTNOTES:
LINENOTES:
ON A LADY WEEPING[17:2]
IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS
MONODY ON A TEA-KETTLE[18:1]
FOOTNOTES:
LINENOTES:
GENEVIEVE[19:1]
FOOTNOTES:
LINENOTES:
ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
FOOTNOTES:
LINENOTES:
ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
FOOTNOTES:
A MATHEMATICAL PROBLEM[21:2]
FOOTNOTES:
LINENOTES:
HONOUR[24:1]
FOOTNOTES:
LINENOTES:
ON IMITATION[26:1]
FOOTNOTES:
INSIDE THE COACH[26:2]
FOOTNOTES:
LINENOTES:
DEVONSHIRE ROADS[27:1]
FOOTNOTES:
LINENOTES:
MUSIC[28:1]
FOOTNOTES:
LINENOTES:
SONNET[29:1]
ON QUITTING SCHOOL FOR COLLEGE
FOOTNOTES:
LINENOTES:
ABSENCE[29:2]
A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE
FOOTNOTES:
LINENOTES:
HAPPINESS[30:1]
FOOTNOTES:
LINENOTES:
A WISH[33:1]
WRITTEN IN JESUS WOOD, FEB. 10, 1792
FOOTNOTES:
AN ODE IN THE MANNER OF ANACREON[33:2]
FOOTNOTES:
TO DISAPPOINTMENT[34:1]
FOOTNOTES:
A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
FOOTNOTES:
LINENOTES:
ODE[35:2]
FOOTNOTES:
LINENOTES:
A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND IN THE EAST INDIES
FOOTNOTES:
WITH FIELDING'S 'AMELIA'[37:1]
FOOTNOTES:
LINENOTES:
WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
FOOTNOTES:
LINENOTES:
IMITATED FROM OSSIAN[38:1]
FOOTNOTES:
LINENOTES:
THE COMPLAINT OF NINATHÓMA[39:1]
FROM THE SAME
FOOTNOTES:
LINENOTES:
SONGS OF THE PIXIES[40:1]
FOOTNOTES:
LINENOTES:
THE ROSE[45:1]
FOOTNOTES:
LINENOTES:
KISSES[46:2]
FOOTNOTES:
LINENOTES:
THE GENTLE LOOK[47:1]
FOOTNOTES:
LINENOTES:
SONNET[48:2]
TO THE RIVER OTTER
FOOTNOTES:
LINENOTES:
First Draft
AN EFFUSION AT EVENING
WRITTEN IN AUGUST, 1792
LINES[51:1]
ON AN AUTUMNAL EVENING
FOOTNOTES:
LINENOTES:
TO FORTUNE[54:1]
To Fortune
FOOTNOTES:
PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
FOOTNOTES:
[AVE, ATQUE VALE!][56:2]
FOOTNOTES:
ON BALA HILL[56:3]
FOOTNOTES:
LINENOTES:
LINES[57:1]
WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS'
FOOTNOTES:
LINENOTES:
IMITATED FROM THE WELSH[58:1]
FOOTNOTES:
LINENOTES:
LINES[58:2]
TO A BEAUTIFUL SPRING IN A VILLAGE
FOOTNOTES:
LINENOTES:
IMITATIONS AD LYRAM[59:1]
(CASIMIR, BOOK II. ODE 3)
FOOTNOTES:
LINENOTES:
TO LESBIA[60:2]
FOOTNOTES:
LINENOTES:
THE DEATH OF THE STARLING[61:1]
FOOTNOTES:
LINENOTES:
MORIENS SUPERSTITI[61:2]
FOOTNOTES:
MORIENTI SUPERSTES
THE SIGH[62:1]
FOOTNOTES:
LINENOTES:
THE KISS[63:1]
FOOTNOTES:
LINENOTES:
TO A YOUNG LADY[64:1]
WITH A POEM ON THE FRENCH REVOLUTION
FOOTNOTES:
LINENOTES:
TRANSLATION[66:1]
OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM' [KAL. OCT. MDCCXC]
FOOTNOTES:
TO MISS BRUNTON[67:1]
WITH THE PRECEDING TRANSLATION
FOOTNOTES:
EPITAPH ON AN INFANT[68:1]
FOOTNOTES:
PANTISOCRACY[68:2]
FOOTNOTES:
LINENOTES:
ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
FOOTNOTES:
ELEGY[69:2]
IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.]
FOOTNOTES:
LINENOTES:
THE FADED FLOWER[70:1]
FOOTNOTES:
THE OUTCAST[71:1]
FOOTNOTES:
LINENOTES:
DOMESTIC PEACE[71:2]
[FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]
FOOTNOTES:
LINENOTES:
ON A DISCOVERY MADE TOO LATE[72:1]
FOOTNOTES:
LINENOTES:
TO THE AUTHOR OF 'THE ROBBERS'[72:2]
FOOTNOTES:
LINENOTES:
MELANCHOLY[73:1]
A FRAGMENT
FOOTNOTES:
LINENOTES:
TO A YOUNG ASS[74:2]
ITS MOTHER BEING TETHERED NEAR IT
FOOTNOTES:
LINENOTES:
LINES ON A FRIEND[76:1]
WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS
FOOTNOTES:
LINENOTES:
TO A FRIEND[78:1]
[Charles Lamb]
TOGETHER WITH AN UNFINISHED POEM
FOOTNOTES:
LINENOTES:
SONNETS ON EMINENT CHARACTERS
CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794 AND JANUARY 1795
I[79:2]
TO THE HONOURABLE MR. ERSKINE
FOOTNOTES:
LINENOTES:
II[80:1]
BURKE
FOOTNOTES:
LINENOTES:
III[81:1]
PRIESTLEY
FOOTNOTES:
LINENOTES:
IV[82:1]
LA FAYETTE
FOOTNOTES:
LINENOTES:
V[82:3]
KOSKIUSKO
FOOTNOTES:
LINENOTES:
VI[83:1]
PITT
FOOTNOTES:
LINENOTES:
VII[84:1]
TO THE REV. W. L. BOWLES[84:2]
[FIRST VERSION, PRINTED IN 'MORNING CHRONICLE', DECEMBER 26, 1794]
FOOTNOTES:
LINENOTES:
[SECOND VERSION][85:1]
FOOTNOTES:
LINENOTES:
VIII[85:2]
MRS. SIDDONS
FOOTNOTES:
LINENOTES:
IX
TO WILLIAM GODWIN[86:1]
AUTHOR OF 'POLITICAL JUSTICE'
FOOTNOTES:
X[87:1]
TO ROBERT SOUTHEY
OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT', AND OTHER POEMS
FOOTNOTES:
XI[87:2]
TO RICHARD BRINSLEY SHERIDAN, ESQ.
FOOTNOTES:
LINENOTES:
TO LORD STANHOPE[89:1]
ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS
['MORNING CHRONICLE,' JAN. 31, 1795]
FOOTNOTES:
TO EARL STANHOPE[89:2]
FOOTNOTES:
LINENOTES:
LINES[90:2]
TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER
FOOTNOTES:
LINENOTES:
TO AN INFANT[91:1]
FOOTNOTES:
LINENOTES:
TO THE REV. W. J. HORT[92:1]
WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE
FOOTNOTES:
LINENOTES:
PITY[93:1]
FOOTNOTES:
LINENOTES:
TO THE NIGHTINGALE[93:2]
FOOTNOTES:
LINENOTES:
LINES[94:1]
COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795
FOOTNOTES:
LINENOTES:
LINES IN THE MANNER OF SPENSER[94:2]
FOOTNOTES:
LINENOTES:
THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
FOOTNOTES:
LINENOTES:
LINES[96:2]
WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL
FOOTNOTES:
LINENOTES:
THE EOLIAN HARP[100:1]
COMPOSED AT CLEVEDON, SOMERSETSHIRE
FOOTNOTES:
LINENOTES:
TO THE AUTHOR OF POEMS[102:2]
[Joseph Cottle]
PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795
FOOTNOTES:
LINENOTES:
THE SILVER THIMBLE[104:1]
THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE
FOOTNOTES:
LINENOTES:
REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
FOOTNOTES:
LINENOTES:
RELIGIOUS MUSINGS[108:1]
A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794
FOOTNOTES:
LINENOTES:
MONODY ON THE DEATH OF CHATTERTON[125:1]
FOOTNOTES:
LINENOTES:
THE DESTINY OF NATIONS[131:1]
A VISION
FOOTNOTES:
LINENOTES:
VER PERPETUUM[148:1]
FRAGMENT
From an unpublished poem.
FOOTNOTES:
ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
FOOTNOTES:
LINENOTES:
TO A PRIMROSE[149:2]
THE FIRST SEEN IN THE SEASON
FOOTNOTES:
LINENOTES:
VERSES[150:1]
ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION
FOOTNOTES:
LINENOTES:
ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
[PRINCE AND PRINCESS OF WALES]
FOOTNOTES:
LINENOTES:
SONNET[152:2]
ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON
FOOTNOTES:
LINENOTES:
SONNET[153:1]
COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796
FOOTNOTES:
LINENOTES:
SONNET[154:2]
TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME
FOOTNOTES:
LINENOTES:
SONNET[155:1]
[TO CHARLES LLOYD]
FOOTNOTES:
TO A YOUNG FRIEND[155:2]
ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR
Composed in 1796
FOOTNOTES:
LINENOTES:
ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. Lloyd]
WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY
FOOTNOTES:
LINENOTES:
TO A FRIEND[158:1]
[Charles Lamb]
WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY
FOOTNOTES:
LINENOTES:
ODE TO THE DEPARTING YEAR[160:1]
FOOTNOTES:
LINENOTES:
THE RAVEN[169:1]
A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS
FOOTNOTES:
LINENOTES:
TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
FOOTNOTES:
LINENOTES:
TO AN UNFORTUNATE WOMAN[172:1]
WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE
FOOTNOTES:
LINENOTES:
TO THE REV. GEORGE COLERIDGE[173:1]
OF OTTERY ST. MARY, DEVON
FOOTNOTES:
LINENOTES:
ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
FOOTNOTES:
TRANSLATION[177:1]
OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH
FOOTNOTES:
LINENOTES:
THIS LIME-TREE BOWER MY PRISON[178:1]
[ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON]
FOOTNOTES:
LINENOTES:
THE FOSTER-MOTHER'S TALE[182:1]
A DRAMATIC FRAGMENT
FOOTNOTES:
LINENOTES:
THE DUNGEON[185:1]
FOOTNOTES:
LINENOTES:
THE RIME OF THE ANCIENT MARINER[186:1]
IN SEVEN PARTS
ARGUMENT
FOOTNOTES:
LINENOTES:
SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
[SIGNED 'NEHEMIAH HIGGINBOTTOM']
FOOTNOTES:
LINENOTES:
PARLIAMENTARY OSCILLATORS[211:1]
FOOTNOTES:
LINENOTES:
CHRISTABEL[213:1]
PREFACE
FOOTNOTES:
LINENOTES:
LINES TO W. L.[236:1]
WHILE HE SANG A SONG TO PURCELL'S MUSIC
FOOTNOTES:
LINENOTES:
FIRE, FAMINE, AND SLAUGHTER[237:1]
A WAR ECLOGUE
FOOTNOTES:
LINENOTES:
FROST AT MIDNIGHT[240:1]
FOOTNOTES:
LINENOTES:
FRANCE: AN ODE[243:1]
FOOTNOTES:
LINENOTES:
THE OLD MAN OF THE ALPS[248:1]
FOOTNOTES:
TO A YOUNG LADY[252:1]
[Miss Lavinia Poole]
ON HER RECOVERY FROM A FEVER
FOOTNOTES:
LINENOTES:
LEWTI[253:1]
OR THE CIRCASSIAN LOVE-CHAUNT
FOOTNOTES:
LINENOTES:
FEARS IN SOLITUDE[256:1]
WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION
FOOTNOTES:
LINENOTES:
THE NIGHTINGALE[264:1]
A CONVERSATION POEM, APRIL, 1798
FOOTNOTES:
LINENOTES:
THE THREE GRAVES[267:1]
A FRAGMENT OF A SEXTON'S TALE
FOOTNOTES:
LINENOTES:
THE WANDERINGS OF CAIN[285:1]
PREFATORY NOTE
THE WANDERINGS OF CAIN
CANTO II
FOOTNOTES:
LINENOTES:
TO ——[292:1]
FOOTNOTES:
LINENOTES:
THE BALLAD OF THE DARK LADIÉ[293:1]
A FRAGMENT
FOOTNOTES:
LINENOTES:
KUBLA KHAN[295:1]:
Or, A Vision in a Dream. A Fragment.
KUBLA KHAN
FOOTNOTES:
LINENOTES:
RECANTATION[299:1]
ILLUSTRATED IN THE STORY OF THE MAD OX
FOOTNOTES:
LINENOTES:
HEXAMETERS[304:1]
FOOTNOTES:
LINENOTES:
TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
FOOTNOTES:
LINENOTES:
CATULLIAN HENDECASYLLABLES[307:1]
FOOTNOTES:
LINENOTES:
THE HOMERIC HEXAMETER[307:2]
DESCRIBED AND EXEMPLIFIED
FOOTNOTES:
THE OVIDIAN ELEGIAC METRE
DESCRIBED AND EXEMPLIFIED
ON A CATARACT[308:1]
FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE
FOOTNOTES:
LINENOTES:
TELL'S BIRTH-PLACE[309:1]
IMITATED FROM STOLBERG
FOOTNOTES:
LINENOTES:
THE VISIT OF THE GODS[310:1]
IMITATED FROM SCHILLER
FOOTNOTES:
FROM THE GERMAN[311:1]
FOOTNOTES:
WATER BALLAD[311:2]
[FROM THE FRENCH]
FOOTNOTES:
ON AN INFANT[312:1]
WHICH DIED BEFORE BAPTISM
FOOTNOTES:
LINENOTES:
SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
WRITTEN IN GERMANY
FOOTNOTES:
LINENOTES:
HOME-SICK[314:1]
WRITTEN IN GERMANY
FOOTNOTES:
LINENOTES:
LINES[315:1]
WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST
FOOTNOTES:
LINENOTES:
THE BRITISH STRIPLING'S WAR-SONG[317:1]
IMITATED FROM STOLBERG
FOOTNOTES:
LINENOTES:
NAMES[318:1]
[FROM LESSING]
FOOTNOTES:
LINENOTES:
THE DEVIL'S THOUGHTS[319:1]
FOOTNOTES:
LINENOTES:
LINES COMPOSED IN A CONCERT-ROOM[324:1]
FOOTNOTES:
LINENOTES:
WESTPHALIAN SONG[326:1]
FOOTNOTES:
HEXAMETERS[326:2]
PARAPHRASE OF PSALM XLVI
FOOTNOTES:
HYMN TO THE EARTH[327:1]
[IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE]
HEXAMETERS
FOOTNOTES:
LINENOTES:
MAHOMET[329:1]
FOOTNOTES:
LOVE[330:1]
FOOTNOTES:
LINENOTES:
ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER MOUNT GOTHARD'
FOOTNOTES:
LINENOTES:
A CHRISTMAS CAROL[338:1]
FOOTNOTES:
LINENOTES:
TALLEYRAND TO LORD GRENVILLE[340:1]
A METRICAL EPISTLE
FOOTNOTES:
LINENOTES:
APOLOGIA PRO VITA SUA[345:1]
FOOTNOTES:
LINENOTES:
THE KEEPSAKE[345:2]
FOOTNOTES:
LINENOTES:
A THOUGHT SUGGESTED BY A VIEW[347:1]
OF SADDLEBACK IN CUMBERLAND
FOOTNOTES:
LINENOTES:
THE MAD MONK[347:2]
FOOTNOTES:
LINENOTES:
INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
FOOTNOTES:
A STRANGER MINSTREL[350:1]
WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH
FOOTNOTES:
LINENOTES:
ALCAEUS TO SAPPHO[353:1]
FOOTNOTES:
THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
FOOTNOTES:
LINENOTES:
THE SNOW-DROP[356:1]
FOOTNOTES:
LINENOTES:
ON REVISITING THE SEA-SHORE[359:1]
AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE
FOOTNOTES:
LINENOTES:
ODE TO TRANQUILLITY[360:1]
FOOTNOTES:
LINENOTES:
TO ASRA[361:1]
FOOTNOTES:
THE SECOND BIRTH[362:1]
FOOTNOTES:
LOVE'S SANCTUARY[362:2]
FOOTNOTES:
DEJECTION: AN ODE[362:3]
[WRITTEN APRIL 4, 1802]
FOOTNOTES:
LINENOTES:
THE PICTURE[369:1]
OR THE LOVER'S RESOLUTION
FOOTNOTES:
LINENOTES:
TO MATILDA BETHAM FROM A STRANGER[374:1]
FOOTNOTES:
LINENOTES:
HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
FOOTNOTES:
LINENOTES:
THE GOOD, GREAT MAN[381:1]
REPLY TO THE ABOVE
FOOTNOTES:
LINENOTES:
INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
FOOTNOTES:
LINENOTES:
AN ODE TO THE RAIN[382:2]
COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN
FOOTNOTES:
LINENOTES:
A DAY-DREAM[385:1]
FOOTNOTES:
LINENOTES:
ANSWER TO A CHILD'S QUESTION[386:1]
FOOTNOTES:
LINENOTES:
THE DAY-DREAM[386:2]
FROM AN EMIGRANT TO HIS ABSENT WIFE
FOOTNOTES:
LINENOTES:
THE HAPPY HUSBAND[388:1]
A FRAGMENT
FOOTNOTES:
LINENOTES:
THE PAINS OF SLEEP[389:1]
FOOTNOTES:
LINENOTES:
THE EXCHANGE[391:1]
FOOTNOTES:
LINENOTES:
AD VILMUM AXIOLOGUM[391:2]
[TO WILLIAM WORDSWORTH]
FOOTNOTES:
LINENOTES:
AN EXILE[392:1]
FOOTNOTES:
SONNET[392:2]
[TRANSLATED FROM MARINI]
FOOTNOTES:
PHANTOM[393:1]
FOOTNOTES:
A SUNSET[393:2]
FOOTNOTES:
LINENOTES:
WHAT IS LIFE?[394:1]
FOOTNOTES:
LINENOTES:
THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
A LAMENT
FOOTNOTES:
LINENOTES:
SEPARATION[397:1]
FOOTNOTES:
THE RASH CONJURER[399:1]
FOOTNOTES:
A CHILD'S EVENING PRAYER[401:1]
FOOTNOTES:
LINENOTES:
METRICAL FEET[401:2]
LESSON FOR A BOY
FOOTNOTES:
LINENOTES:
FAREWELL TO LOVE[402:1]
FOOTNOTES:
LINENOTES:
TO WILLIAM WORDSWORTH[403:1]
COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
FOOTNOTES:
LINENOTES:
AN ANGEL VISITANT[409:1]
FOOTNOTES:
RECOLLECTIONS OF LOVE[409:2]
FOOTNOTES:
TO TWO SISTERS[410:1]
[Mary Morgan and Charlotte Brent]
A WANDERER'S FAREWELL
FOOTNOTES:
PSYCHE[412:1]
FOOTNOTES:
LINENOTES:
A TOMBLESS EPITAPH[413:1]
FOOTNOTES:
LINENOTES:
FOR A MARKET-CLOCK[414:1]
(IMPROMPTU)
FOOTNOTES:
THE MADMAN AND THE LETHARGIST[414:2]
AN EXAMPLE
FOOTNOTES:
THE VISIONARY HOPE[416:1]
FOOTNOTES:
LINENOTES:
EPITAPH ON AN INFANT[417:1]
FOOTNOTES:
LINENOTES:
THE VIRGIN'S CRADLE-HYMN[417:2]
COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC VILLAGE IN GERMANY
FOOTNOTES:
LINENOTES:
TO A LADY[418:1]
OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS
FOOTNOTES:
LINENOTES:
REASON FOR LOVE'S BLINDNESS[418:2]
FOOTNOTES:
LINENOTES:
THE SUICIDE'S ARGUMENT[419:1]
FOOTNOTES:
LINENOTES:
TIME, REAL AND IMAGINARY[419:2]
AN ALLEGORY
FOOTNOTES:
AN INVOCATION[420:1]
From remorse
[Act iii, Scene i. ll. 69-82.]
FOOTNOTES:
LINENOTES:
THE NIGHT-SCENE[421:1]
A DRAMATIC FRAGMENT
FOOTNOTES:
LINENOTES:
A HYMN[423:1]
FOOTNOTES:
TO A LADY[424:1]
WITH FALCONER'S SHIPWRECK
FOOTNOTES:
LINENOTES:
HUMAN LIFE[425:1]
—ON THE DENIAL OF IMMORTALITY
FOOTNOTES:
LINENOTES:
SONG[426:1]
FROM ZAPOLYA
FOOTNOTES:
LINENOTES:
HUNTING SONG[427:1]
FROM ZAPOLYA
FOOTNOTES:
LINENOTES:
FAITH, HOPE, AND CHARITY[427:2]
FROM THE ITALIAN OF GUARINI
FOOTNOTES:
TO NATURE[429:1]
FOOTNOTES:
LIMBO[429:2]
FOOTNOTES:
LINENOTES:
NE PLUS ULTRA[431:1]
FOOTNOTES:
THE KNIGHT'S TOMB[432:1]
FOOTNOTES:
ON DONNE'S POETRY[433:1]
FOOTNOTES:
ISRAEL'S LAMENT[433:2]
FOOTNOTES:
LINENOTES:
FANCY IN NUBIBUS[435:1]
OR THE POET IN THE CLOUDS
FOOTNOTES:
LINENOTES:
THE TEARS OF A GRATEFUL PEOPLE[436:1]
FOOTNOTES:
YOUTH AND AGE[439:1]
FOOTNOTES:
LINENOTES:
THE REPROOF AND REPLY[441:1]
FOOTNOTES:
LINENOTES:
FIRST ADVENT OF LOVE[443:2]
FOOTNOTES:
LINENOTES:
THE DELINQUENT TRAVELLERS[443:3]
FOOTNOTES:
WORK WITHOUT HOPE[447:1]
LINES COMPOSED 21ST FEBRUARY 1825
FOOTNOTES:
LINENOTES:
SANCTI DOMINICI PALLIUM[448:1]
A DIALOGUE BETWEEN POET AND FRIEND
FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)
FOOTNOTES:
LINENOTES:
SONG[450:2]
FOOTNOTES:
LINENOTES:
A CHARACTER[451:1]
FOOTNOTES:
LINENOTES:
THE TWO FOUNTS[454:1]
STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN
FOOTNOTES:
LINENOTES:
CONSTANCY TO AN IDEAL OBJECT[455:1]
FOOTNOTES:
LINENOTES:
THE PANG MORE SHARP THAN ALL[457:1]
AN ALLEGORY
FOOTNOTES:
DUTY SURVIVING SELF-LOVE[459:1]
THE ONLY SURE FRIEND OF DECLINING LIFE
A SOLILOQUY
FOOTNOTES:
LINENOTES:
HOMELESS[460:1]
FOOTNOTES:
LINENOTES:
LINES[460:2]
SUGGESTED BY THE LAST WORDS OF BERENGARIUS
OB. ANNO DOM. 1088
FOOTNOTES:
LINENOTES:
EPITAPHIUM TESTAMENTARIUM[462:1]
FOOTNOTES:
LINENOTES:
THE IMPROVISATORE[462:3]
OR, 'JOHN ANDERSON, MY JO, JOHN'
FOOTNOTES:
TO MARY PRIDHAM[468:1]
[AFTERWARDS MRS. DERWENT COLERIDGE]
FOOTNOTES:
LINENOTES:
ALICE DU CLOS[469:1]
OR THE FORKED TONGUE
A BALLAD
FOOTNOTES:
LINENOTES:
LOVE'S BURIAL-PLACE[475:1]
FOOTNOTES:
LINENOTES:
LINES[476:1]
TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW
FOOTNOTES:
LINENOTES:
COLOGNE[477:1]
FOOTNOTES:
ON MY JOYFUL DEPARTURE[477:5]
FROM THE SAME CITY
FOOTNOTES:
THE GARDEN OF BOCCACCIO[478:1]
FOOTNOTES:
LINENOTES:
LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
FOOTNOTES:
LINENOTES:
TO MISS A. T.[482:1]
FOOTNOTES:
LINES[483:1]
WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND
FOOTNOTES:
LINENOTES:
SONG, ex improviso[483:2]
ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY
FOOTNOTES:
LINENOTES:
LOVE AND FRIENDSHIP OPPOSITE[484:1]
FOOTNOTES:
LINENOTES:
NOT AT HOME[484:2]
FOOTNOTES:
PHANTOM OR FACT[484:3]
A DIALOGUE IN VERSE
FOOTNOTES:
DESIRE[485:1]
FOOTNOTES:
LINENOTES:
CHARITY IN THOUGHT[486:1]
FOOTNOTES:
HUMILITY THE MOTHER OF CHARITY[486:2]
FOOTNOTES:
[COELI ENARRANT][486:3]
FOOTNOTES:
REASON[487:1]
FOOTNOTES:
SELF-KNOWLEDGE[487:2]
FOOTNOTES:
LINENOTES:
FORBEARANCE[488:1]
FOOTNOTES:
LINENOTES:
LOVE'S APPARITION AND EVANISHMENT[488:3]
AN ALLEGORIC ROMANCE
FOOTNOTES:
LINENOTES:
TO THE YOUNG ARTIST[490:1]
KAYSER OF KASERWERTH
FOOTNOTES:
MY BAPTISMAL BIRTH-DAY[490:2]
FOOTNOTES:
LINENOTES:
EPITAPH[491:1]
FOOTNOTES:
LINENOTES:
THE
COMPLETE POETICAL WORKS
OF
SAMUEL TAYLOR COLERIDGE
INCLUDING
POEMS AND VERSIONS OF POEMS NOW
PUBLISHED FOR THE FIRST TIME
EDITED
WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
BY
ERNEST HARTLEY COLERIDGE
OXFORD AT THE CLARENDON PRESS 1912
CONTENTS OF VOL. II
DRAMATIC WORKS
THE FALL OF ROBESPIERRE[495:1]
AN HISTORIC DRAMA
FOOTNOTES:
ACT I
Scene—The Thuilleries.
FOOTNOTES:
ACT II
Scene—The Convention.
ACT III
Scene continues.
OSORIO
A TRAGEDY[518:1]
DRAMATIS PERSONAE
FOOTNOTES:
LINENOTES:
ACT THE FIRST[519:1]
FOOTNOTES:
LINENOTES:
ACT THE SECOND
LINENOTES:
Scene II.
ACT THE THIRD
FOOTNOTES:
LINENOTES:
ACT III.
ACT THE FOURTH
FOOTNOTES:
LINENOTES:
Scene II
Scene III
ACT THE FIFTH
Scene the First.—The Sea Shore.
Scene.—A Dungeon.
FOOTNOTES:
LINENOTES:
THE PICCOLOMINI[598:1]
OR, THE FIRST PART OF WALLENSTEIN
A DRAMA
TRANSLATED FROM THE GERMAN OF SCHILLER
PREFACE TO THE FIRST EDITION
FOOTNOTES:
THE PICCOLOMINI[600:1]
ACT I
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
LINENOTES:
Scene IV
FOOTNOTES:
LINENOTES:
Scene V
LINENOTES:
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
FOOTNOTES:
LINENOTES:
Scene XI
FOOTNOTES:
LINENOTES:
Scene XII
FOOTNOTES:
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
FOOTNOTES:
LINENOTES:
Scene IV
FOOTNOTES:
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene VII
FOOTNOTES:
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
Scene X
Scene XI
LINENOTES:
Scene XII
FOOTNOTES:
LINENOTES:
Scene XIII
LINENOTES:
Scene XIV
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
ACT IV
Scene I
LINENOTES:
Scene II
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
LINENOTES:
Scene VII
FOOTNOTES:
LINENOTES:
ACT V
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
LINENOTES:
THE DEATH OF WALLENSTEIN
A TRAGEDY
IN FIVE ACTS
PREFACE OF THE TRANSLATOR
TO THE FIRST EDITION
LINENOTES:
DRAMATIS PERSONAE
THE DEATH OF WALLENSTEIN
ACT I
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
Scene X
LINENOTES:
Scene XI
Scene XII
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene II
Scene III
FOOTNOTES:
LINENOTES:
Scene IV
Scene V
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene VII
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
Scene XI
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
Scene V
LINENOTES:
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
FOOTNOTES:
LINENOTES:
Scene IX
LINENOTES:
ACT IV
Scene I
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
ACT V
Scene I
FOOTNOTES:
LINENOTES:
Scene II
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
Scene VI
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
LINENOTES:
REMORSE[812:1]
PREFACE
FOOTNOTES:
PROLOGUE
FOOTNOTES:
EPILOGUE
REMORSE[819:1]
A TRAGEDY IN FIVE ACTS[819:2]
DRAMATIS PERSONAE
FOOTNOTES:
ACT I
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
ACT IV
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
LINENOTES:
ACT V
Scene I
LINENOTES:
APPENDIX
ZAPOLYA[883:1]
A CHRISTMAS TALE IN TWO PARTS[883:2]
ADVERTISEMENT
FOOTNOTES:
LINENOTES:
PART I
THE PRELUDE, ENTITLED 'THE USURPER'S FORTUNE'
CHARACTERS
Scene I
LINENOTES:
Part II
THE SEQUEL, ENTITLED 'THE USURPER'S FATE'
ADDITIONAL CHARACTERS
USURPATION ENDED; OR, SHE COMES AGAIN
ACT I
Scene I
FOOTNOTES:
LINENOTES:
ACT II
Scene I
LINENOTES:
ACT III
Scene I
LINENOTES:
ACT IV
Scene I
LINENOTES:
EPIGRAMS[951:1]
1
EPIGRAM
AN APOLOGY FOR SPENCERS
2
EPIGRAM
ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE
3
EPIGRAM
ON AN AMOROUS DOCTOR
4
EPIGRAM
5
ON DEPUTY ——
6
[EPIGRAM]
7
ON MR. ROSS, USUALLY COGNOMINATED NOSY[953:1]
8
[EPIGRAM]
9
[EPIGRAM]
10
[ANOTHER VERSION]
11
ON AN INSIGNIFICANT[954:1]
12
[EPIGRAM]
13
ON A SLANDERER
14
LINES IN A GERMAN STUDENT'S ALBUM
15
[HIPPONA]
16
ON A READER OF HIS OWN VERSES
17
ON A REPORT OF A MINISTER'S DEATH WRITTEN IN GERMANY
LINENOTES:
18
[DEAR BROTHER JEM]
19
JOB'S LUCK
LINENOTES:
20
ON THE SICKNESS OF A GREAT MINISTER
21
[TO A VIRTUOUS OECONOMIST]
Wernicke
22
[L'ENFANT PRODIGUE]
23
ON SIR RUBICUND NASO
A COURT ALDERMAN AND WHISPERER OF SECRETS
24
TO MR. PYE
25
[NINETY-EIGHT]
26
OCCASIONED BY THE FORMER
LINENOTES:
27
[A LIAR BY PROFESSION]
28
TO A PROUD PARENT
29
RUFA
30
ON A VOLUNTEER SINGER
31
OCCASIONED BY THE LAST
LINENOTES:
32
EPITAPH ON MAJOR DIEMAN
33
ON THE ABOVE
34
EPITAPH
ON A BAD MAN
ANOTHER VERSION
Obiit Saturday, Sept. 10, 1830.
35
TO A CERTAIN MODERN NARCISSUS
36
TO A CRITIC
WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE.
37
ALWAYS AUDIBLE
38
PONDERE NON NUMERO
39
THE COMPLIMENT QUALIFIED
40
41
42
43
44
TO ONE WHO PUBLISHED[964:1] IN PRINT
WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE
45
46
47
TO A VAIN YOUNG LADY
48
A HINT TO PREMIERS AND FIRST CONSULS
FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS
49
50
FOR A HOUSE-DOG'S COLLAR
51
52
EPITAPH ON A MERCENARY MISER
53
A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND
54
Μωροσοφία OR WISDOM IN FOLLY
55
56
FROM AN OLD GERMAN POET
57
ON THE CURIOUS CIRCUMSTANCE,
THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE
58
SPOTS IN THE SUN
59
60
TO MY CANDLE
THE FAREWELL EPIGRAM
61
EPITAPH
ON HIMSELF
62
THE TASTE OF THE TIMES
63
ON PITT AND FOX
64
65
COMPARATIVE BREVITY OF GREEK AND ENGLISH
66
EPIGRAM ON THE SECRECY OF A CERTAIN LADY
67
MOTTO
FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814.
ANOTHER VERSION
68
69
MODERN CRITICS
70
WRITTEN IN AN ALBUM
71
TO A LADY WHO REQUESTED ME TO WRITE A POEM UPON NOTHING
72
SENTIMENTAL
73
74
AUTHORS AND PUBLISHERS
75
THE ALTERNATIVE
76
77
INSCRIPTION FOR A TIME-PIECE
78
ON THE MOST VERACIOUS ANECDOTIST, AND SMALL-TALK MAN, THOMAS HILL, ESQ.[974:1]
79
80
EPITAPH OF THE PRESENT YEAR ON THE MONUMENT OF THOMAS FULLER
FOOTNOTES:
JEUX D'ESPRIT
1
MY GODMOTHER'S BEARD[976:1]
LINENOTES:
2
LINES TO THOMAS POOLE
3
TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR.
4
TO T. POOLE
AN INVITATION
5
SONG
TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE.
6
DRINKING versus THINKING
OR, A SONG AGAINST THE NEW PHILOSOPHY
7
THE WILLS OF THE WISP
A SAPPHIC
8
TO CAPTAIN FINDLAY
9
ON DONNE'S POEM 'TO A FLEA'
10
[EX LIBRIS S. T. C.][981:1]
11
ΕΓΩΕΝΚΑΙΠΑΝ
12
THE BRIDGE STREET COMMITTEE
13
NONSENSE SAPPHICS[983:1]
14
TO SUSAN STEELE ON RECEIVING THE PURSE
EXTRUMPERY LINES
15
ASSOCIATION OF IDEAS[984:1]
16
VERSES TRIVOCULAR
17
CHOLERA CURED BEFORE-HAND
LINENOTES:
18
TO BABY BATES
19
TO A CHILD[987:1]
FOOTNOTES:
FRAGMENTS FROM A NOTEBOOK[988:1]
1
2
3
4
5
6
7
LINENOTES:
8
9
10
11
12
13
14
15
16
17
A DUNGEON
LINENOTES:
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
LINENOTES:
35
36
LINENOTES:
37
38
39
HYMNS—MOON
40
41
42
43
44
45
46
47
48
49
FOOTNOTES:
FRAGMENTS[996:1]
1
2
3
OVER MY COTTAGE
4
5
6
7
8
[THE NIGHT-MARE DEATH IN LIFE]
9
10
A BECK IN WINTER[998:1]
11
12
13
14
15
16
17
[NOT A CRITIC—BUT A JUDGE]
18
19
[DE PROFUNDIS CLAMAVI]
20
21
22
23
24
25
26
27
28
29
FRAGMENT OF AN ODE ON NAPOLEON
30
31
Another Version
32
33
EPIGRAM ON KEPLER
FROM THE GERMAN
LINENOTES:
34
35
36
37
38
39
40
[ARS POETICA]
41
TRANSLATION OF THE FIRST STROPHE OF PINDAR'S SECOND OLYMPIC
42
43
TRANSLATION OF A FRAGMENT OF HERACLITUS[1007:1]
44
45
IMITATED FROM ARISTOPHANES
46
47
TO EDWARD IRVING
48
[LUTHER—DE DÆMONIBUS]
49
THE NETHERLANDS
50
ELISA[1009:1]
TRANSLATED FROM CLAUDIAN
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
51
PROFUSE KINDNESS
52
53
NAPOLEON
54
55
56
57
58
59
60
THE THREE SORTS OF FRIENDS
61
62
BO-PEEP AND I SPY—
63
A SIMILE
64
BARON GUELPH OF ADELSTAN. A FRAGMENT
FOOTNOTES:
METRICAL EXPERIMENTS[1014:1]
1
AN EXPERIMENT FOR A METRE
2
TROCHAICS
3
THE PROPER UNMODIFIED DOCHMIUS
4
IAMBICS
5
NONSENSE
6
A PLAINTIVE MOVEMENT
[11´ 4` 11´ 4` | 10´ 6` 4´ 10`]
7
AN EXPERIMENT FOR A METRE
8
NONSENSE VERSES
[AN EXPERIMENT FOR A METRE]
9
NONSENSE
[AN EXPERIMENT FOR A METRE]
10
EXPERIMENTS IN METRE
11
12
13
A METRICAL ACCIDENT
NOTES BY PROFESSOR SAINTSBURY
FOOTNOTES:
APPENDIX I
FIRST DRAFTS, EARLY VERSIONS, ETC.
A
Effusion 35
Effusion, p. 96. (1797.)
FOOTNOTES:
LINENOTES:
B
RECOLLECTION[1023:1]
FOOTNOTES:
C
THE DESTINY OF NATIONS
[Draft I]
[Draft II]
LINENOTES:
[Draft III]
D
Passages in Southey's Joan of Arc (First Edition, 1796) contributed by S. T. Coleridge[1027:1].
FOOTNOTES:
LINENOTES:
E
THE RIME OF THE ANCYENT MARINERE,[1030:1] IN SEVEN PARTS.
I.
II.
III.
IV.
V.
VI.
VII.
FOOTNOTES:
LINENOTES:
F
THE RAVEN
G
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT[1049:1]
(1)
(2)
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
(3)
FOOTNOTES:
H
INTRODUCTION TO THE TALE OF THE DARK LADIE[1052:1]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
FOOTNOTES:
LINENOTES:
I
THE TRIUMPH OF LOYALTY.[1060:1]
AN HISTORIC DRAMA
IN
FIVE ACTS.
FOOTNOTES:
DRAMATIS PERSONÆ.
THE TRIUMPH OF LOYALTY
ACT I
LINENOTES:
J
CHAMOUNY; THE HOUR BEFORE SUNRISE
A Hymn
K
DEJECTION: AN ODE[1076:1]
LINENOTES:
DEJECTION:
AN ODE, WRITTEN APRIL 4, 1802.
I
II
III
IV
VIII
IX
FOOTNOTES:
LINENOTES:
L
TO W. WORDSWORTH[1081:1]
FOOTNOTES:
LINENOTES:
M
YOUTH AND AGE
MS. I
Aria Spontanea
MS. II
1
2
N
LOVE'S APPARITION AND EVANISHMENT[1087:1]
[FIRST DRAFT]
FOOTNOTES:
O
TWO VERSIONS OF THE EPITAPH[1088:1]
1
2
FOOTNOTES:
P
[Habent sua Fata—Poetae][1089:2]
FOOTNOTES:
Q
TO JOHN THELWALL[1090:1]
FOOTNOTES:
R[1090:2]
FOOTNOTES:
APPENDIX II
ALLEGORIC VISION[1091:1]
FOOTNOTES:
LINENOTES:
APPENDIX III
APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
FOOTNOTES:
LINENOTES:
APPENDIX IV
PROSE VERSIONS OF POEMS, ETC.
A
QUESTIONS AND ANSWERS IN THE COURT OF LOVE
B
PROSE VERSION OF GLYCINE'S SONG IN ZAPOLYA
1
2
3
4
C
FOOTNOTES:
D
E
DEDICATION[1113:1]
Ode on the Departing Year, 1796, pp. [3]-4.
To Thomas Poole, of Stowey.
FOOTNOTES:
F
Preface to the MS. of Osorio.
APPENDIX V
ADAPTATIONS
1
FULKE GREVILLE. LORD BROOKE
Motto To 'A Lay Sermon', 1817
2
Sonnet XCIV [Coelica]
3
Of Humane Learning
Stanza CLX
4
SIR JOHN DAVIES
On the Immortality of the Soul
5
DONNE
Eclogue. 'On Unworthy Wisdom'
6
Letter To Sir Henry Goodyere
7
BEN JONSON
A Nymph's Passion
Mutual Passion
Altered and Modernized From an Old Poet
8
Underwoods
No. VI. The Hour-Glass.
The Hour-Glass
9
The Poetaster. Act I, Scene 1.
10
SAMUEL DANIEL
Epistle To Sir Thomas Egerton, Knight
11
Musophilus
Stanza cxlvii.
12
Stanzas xxvii, xxix, xxx.
13
CHRISTOPHER HARVEY
The Synagogue
THE NATIVITY OR CHRISTMAS DAY.
14
MARK AKENSIDE
Blank Verse Inscriptions
No. III.
15
W. L. BOWLES
16
NAPOLEON
APPENDIX VI
ORIGINALS OF TRANSLATIONS
A
MILESISCHES MÄHRCHEN
B
SCHILLER
Der Epische Hexameter
Das Distichon
C
STOLBERG
On A Cataract
D
STOLBERG
Bei Wilhelm Tells Geburtsstätte im Kanton Uri
E
SCHILLER
Dithyrambe
F
GOETHE
G
FRANÇOIS-ANTOINE-EUGÈNE DE PLANARD
'Batelier, dit Lisette'
H
Des Knaben Wunderhorn
I
STOLBERG
J
LESSING
Die Namen.
K
STOLBERG
Hymne an die Erde.
L
FRIEDERIKE BRUN
Chamouny beym Sonnenaufgange
M
Alla sua Amica
N
O
THE MADMAN AND THE LETHARGIST
P
MADRIGALI DEL SIGNOR CAVALIER GUARINI
DIALOGO
Q
STOLBERG
BIBLIOGRAPHY
OF THE
POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
1794-1834
I
II
PREFACE
Notes attached to a first draft of the Preface to the First Edition [MS. R]
To Earl Stanhope
CONTENTS
III
[A Sheet Of Sonnets.]
[INTRODUCTION]
[SONNETS]
IV
V
CONTENTS
PREFACE TO THE FIRST EDITION
PREFACE TO THE SECOND EDITION
INTRODUCTION TO THE SONNETS
ADVERTISEMENT
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
PREFACE
CONTENTS
XV
קינת ישרון
XVI
XVII
XVIII
XIX
XX
PREFACE
CONTENTS
XXI
PREFACE
XXII
XXIII
XXIV
XXV
XXVI
CONTENTS
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
XXXV
CONTENTS
XXXVI
XXXVII
XXXVIII
XXXIX
ADVERTISEMENT
APPENDIX
XL
XLI
XLII
XLIII
XLIV
XLV
XLVI
XLVII
XLVIII
XLIX
L
LI
LII
LIII
LIV
FOOTNOTES:
BIBLIOGRAPHICAL APPENDIX
No. I
POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS
No. II
EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS
No. III
POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS
No. IV
INDEX OF FIRST LINES
TRANSCRIBER'S NOTES:
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