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Index
HISTORY OF ENGLISH LITERATURE
HIPPOLYTE ADOLPHE TAINE
TRANSLATED FROM THE FRENCH BY HENRY VAN LAUN WITH A SPECIAL INTRODUCTION BY J. SCOTT CLARK, A. M.
#THE WORLD'S# GREAT CLASSICS LIBRARY COMMITTE 1 TIMOTHY DWIGHT, D.D. LLD. RICHARD HENRY STODDARD ARTHUR RICHMOND MARSH. A.B. PAVL VAN DYKE, D.D. ALBERT ELLERY BERGH
•ILLUSTRATED•WITH•NEARLY•TWO• •HUNDRED•PHOTOGRAVURES•ETCHINGS• •COLORED•PLATES•AND•FULL• •PAGE•PORTRAITS•OF•GREAT•AUTHORS• DEDICATION SPECIAL INTRODUCTION
CONTENTS
INTRODUCTION BOOK I.—THE SOURCE
CHAPTER FIRST The Saxons CHAPTER SECOND The Normans CHAPTER THIRD The New Tongue
BOOK II.—THE RENAISSANCE
CHAPTER FIRST The Pagan Renaissance CHAPTER SECOND The Theatre CHAPTER THIRD Ben Jonson CHAPTER FOURTH Shakespeare INDEX
ILLUSTRATIONS
HISTORY OF ENGLISH LITERATURE
INTRODUCTION I. Historical documents serve only as a clue to reconstruct the visible individual II. The outer man is only a clue to study the inner invisible man III. The state and the actions of the inner and invisible man have their causes in certain general ways of thought and feeling IV. Chief causes of thought and feeling. Their historical effects V. The three primordial forces.—Race VI. History is a mechanical and psychological problem. Within certain limits man can foretell VII. Law of formation of a group. Examples and indications VIII. General problem and future of history. Psychological method. Value of literature. Purpose in writing this book BOOK I.—THE SOURCE CHAPTER FIRST The Saxons SECTION I.—The Coast of the North Sea SECTION II.—The Northern Barbarians SECTION III.—Saxon Ideas SECTION IV.—Saxon Heroes SECTION V.—Pagan Poems SECTION VI.—Christian Poems SECTION VII.—Primitive Saxon Authors SECTION VIII.—Virility of the Saxon Race CHAPTER SECOND The Normans SECTION I.—The Feudal Man SECTION II.—Normans and Saxons Contrasted SECTION III.—French Forms of Thought SECTION IV.—The Normans in England SECTION V.—The English Tongue—Early English Literary Impulses SECTION VI.—Feudal Civilization SECTION VII.—Persistence of Saxon Ideas SECTION VIII.—The English Constitution SECTION IX.—Piers Plowman and Wyclif CHAPTER THIRD The New Tongue SECTION I.—The First Great Poet SECTION II.—The Decline of the Middle Ages SECTION III.—The Poetry of Chaucer SECTION IV.—Characteristics of the Canterbury Tales SECTION V.—The Art of Chaucer SECTION VI.—Scholastic Philosophy BOOK II.—THE RENAISSANCE CHAPTER FIRST The Pagan Renaissance PART I.—Manners of the Time SECTION I.—Ideas of the Middle Ages SECTION II.—Growth of New Ideas SECTION III.—Popular Festivals SECTION IV.—Influence of Classic Literature PART II.—Poetry SECTION I.—Renaissance of Saxon Genius SECTION II.—The Earl of Surrey SECTION III.—Surrey's Style SECTION IV.—Development of Artistic Ideas SECTION V.—Wherein Lies the Strength of the Poetry of this Period SECTION VI.—Edmund Spenser SECTION VII.—Spenser in his Relation to the Renaissance PART III.—Prose SECTION I.—The Decay of Poetry SECTION II.—The Intellectual Level of the Renaissance SECTION III.—Robert Burton SECTION IV.—Sir Thomas Browne SECTION V.—Francis Bacon CHAPTER SECOND The Theatre SECTION I.—The Public and the Stage SECTION II.—Manners of the Sixteenth Century SECTION III.—Some Aspects of the English Mind SECTION IV.—The Poets of the Period SECTION V.—Formation of the Drama SECTION VI.—Furious Passions—Exaggerated Characters SECTION VII.—Female Characters CHAPTER THIRD Ben Jonson SECTION I.—The Man—His Life SECTION II.—His Freedom and Precision of Style SECTION III.—The Dramas Catiline and Sejanus SECTION IV.—Comedies SECTION V.—Limits of Jonson's Talent—His Smaller Poems—His Masques SECTION VI.—General Idea of Shakespeare CHAPTER FOURTH Shakespeare SECTION I.—Life and Character of Shakespeare SECTION II.—Shakespeare's Style—Copiousness—Excesses SECTION III.—Shakespeare's Language And Manners SECTION IV.—Dramatis Personæ SECTION V.—Men of Wit SECTION VI.—Shakespeare's Women SECTION VII.—Types of Villains SECTION VIII.—Principal Characters SECTION IX.—Characteristics of Shakespeare's Genius INDEX
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