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Index
Cover
Title Page
Copyright
Dedication
Contents
Acknowledgements
Introduction
To the Light House
Art Is Making: Carol Shields in Conversation and Correspondence
The Square Root of a Clock Tick: Time and Timing in Carol Shields’s Poetry and Prose
All That “Below-the-Surface Stuff”: Carol Shields’s Conversational Modes
Guilt, Guile, and Ginger in Small Ceremonies
Revisiting the Sequel: Carol Shields’s Companion Novels
Bio-Critical Afterlives: Sarah Binks, Pat Lowther, and the Satirical Gothic Turn in Carol Shields’s Swann
Assembling Identity: Late-Life Agency in The Stone Angel and The Stone Diaries
Male-Pattern Bewilderment in Larry’s Party
Departures, Arrivals: Canada/United States Migrations and the Trope of Travel in the Fiction of Carol Shields
“To Be Faithful to the Idea of Being Good”: The Expansion to Goodness in Carol Shields’s Unless
Narrative Pragmatism: Goodness in Carol Shields’s Unless
Shields’s Guerrilla Gardeners: Sowing Seeds of Defiance and Care
Cool Empathy in the Short Fiction of Carol Shields
The “Perfect Gift” and the “True Gift”: Empathetic Dialogue in Carol Shields’s “A Scarf” and Joyce Carol Oates’s “The Scarf”
Prepositional Domesticity
“Grand Slam”: Birthing Women and Bridging Generations in Carol Shields’s Play Thirteen Hands
Archives as Traces of Life Process and Engagement: The Late Years of the Carol Shields Fonds
The Voices of Carol Shields
The Clarity of Her Anger
My Seen-Sang, Carol Shields: A Memoir of a Master Teacher
Carol Shields
Contributors
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