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Index
Cover
Contents
Foreword
Acknowledgements
1. Introduction
1.1 The Goal and the Scope of the Study
1.2 Review of Research Literature on the Subject
1.3 Theoretical and Methodological Background of the Project
2. Solzhenitsyn as a Writer and a Witness
2.1 The Style and Genre of Solzhenitsyn’s camp-related Literature
One Day in the Life of Ivan Denisovich
The First Circle
The Gulag Archipelago
2.2 The Experience behind the Text: Camp Literature and Witness Literature
2.3 The Reception of Solzhenitsyn’s Camp Literature
2.4 Chapter Conclusion
3. Solzhenitsyn’s Oeuvre between Aesthetics and Politics
3.1 Introduction to Methods and Contextualization
3.2 Anti-communism: Solzhenitsyn at the Heart of the Cold War
Solzhenitsyn’s Reception during the Cold War
Solzhenitsyn in Brandt’s Germany
Solzhenitsyn in 1970’s Britain and the US
Solzhenitsyn’s Late Cold War Reception
Solzhenitsyn’s Reception upon the Collapse of European Communism
3.3 Solzhenitsyn in Revisionist Debates
Introduction
Revisionism in Solzhenitsyn’s Work and Reception
Solzhenitsyn and World War II
Solzhenitsyn and Russian Nationalism
Solzhenitsyn and “the Jews”
3.4 Political Christianity
3.5 Comparative Chapter Conclusion
4. Solzhenitsyn in History
4.1 Solzhenitsyn and Historiography
4.2 Solzhenitsyn and Memory Culture in East and West
4.3 Chapter Conclusion
Conclusions
The Ethic
The Political
The Aesthetic
Concluding Thoughts
Bibliography
Endnotes
Series
Copyright
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