The Material Life of Roman Slaves

Although slaves were ubiquitous in the fabric of Roman daily life, contemporary visitors to archaeological sites walk through landscapes that appear untouched by slavery. The Material Life of Roman Slaves retrieves and represents the physical environment and lives of Roman slaves. Through the scholarly collaboration of a historian and an art historian, the book interweaves, and sets in dialogue, the textual record of Roman law and literature on slaves and the archaeological remains of the houses, workshops, streets, and country villas that slaves inhabited in Pompeii, other sites on the Bay of Naples, and Ostia outside Rome.

The Material Life of Roman Slaves is a major contribution to scholarly debates on the archaeology of Roman slavery. Rather than regarding slaves as irretrievable in archaeological remains, the book takes the archaeological record as a key form of evidence for reconstructing slaves' lives and experiences. Interweaving literature, law, and material evidence, the book searches for ways to see slaves in the various contexts - to make them visible where evidence tells us they were in fact present. Part of this project involves understanding how slaves seem irretrievable in the archaeological record and how they are often actively, if unwittingly, left out of guidebooks and scholarly literature. Individual chapters explore the dichotomy between visibility and invisibility and between appearance and disappearance in four physical and social locations - urban houses, city streets and neighborhoods, workshops, and villas.

 "The object of this fascinating book is to render visible Roman slaves in the remains of the Campanian cities and villas destroyed in 79 AD by the eruption of Mt Vesuvius ... The possibilities raised are of great importance, and in its legitimate concern to evoke the day-to-day realities of life in slavery, [this] book is to be warmly applauded ... The challenge of recovering a history of slavery from archaeological evidence has been laid down, and it is in this that the book's special value lies." --Classical World"The Material Life of Roman Slaves complements and enriches a growing body of scholarship on the physical conditions and material remains of Roman slavery, but it also represents a logical continuation of the research agenda of both authors. Their collaboration on the present book represents a model of scholarly teamwork that bridges disciplinary divides and reconciles discrete classes of evidence. The result is not simply a new study of Roman slaves in their ancient physical setting but a compelling proposal for reading strategies that overcome historical silence. The attempt to address the deficiencies of the available evidence pushes the main argument into controversial territory, but even so this book will undoubtedly become an obligatory point of reference for any future work on Roman slaves and other historically mute populations." --American Journal of Archaeology"The book is not only a highly welcome contribution to the archaeology of Roman slavery - a still underrepresented field of research - but also an original and innovative study in the field of cultural geography and cultural theory." --Andrea Binsfeld, Bryn Mawr Classical Review

Sandra R. Joshel is Professor of History at the University of Washington. A scholar of Roman slavery, women, and gender, she is the author of Work, Identity, and Legal Status at Rome: A Study of the Occupational Inscriptions, and editor of Women and Slaves in Greco-Roman Culture: Differential Equations (with Sheila Murnaghan) and Imperial Projections: Ancient Rome in Modern Popular Culture (with Margaret Malamud and Donald T. McGuire).Lauren Hackworth Petersen is Associate Professor of Art History at the University of Delaware. A scholar of Roman art and archaeology, she is the author of The Freedman in Roman Art and Art History and editor of Mothering and Motherhood in Ancient Greece and Rome (with Patricia Salzman-Mitchell). She has received an ACLS Collaborative Research Fellowship, a Postdoctoral Fellowship from the Getty Foundation, and a Rome Prize from the American Academy in Rome.