The “Brahms Fog,” by Walter Frisch: Examples 4, 5, and 6 of excerpts from Arnold Schoenberg’s Piano Piece, Mädchenlied, and String Quartet in D Major, are reproduced by permission of Belmont Music Publishers; the portrait of Max Reger was taken in 1902 by the Gebrüder Lutzel, kgl. bayrische Hofphotographen (Royal Bavarian Court Photographers), Munich. Private collection, used with permission.
“Between Work and Play: Brahms as Performer of His Own Music,” by Roger Moseley: Figure 1, the photograph of Robert Hausmann, Johannes Brahms, and Maria Fellinger, taken by Maria Fellinger in 1896, is reproduced with the permission of the Austrian Johannes-Brahms Society and the Brahms-Museum, Mürzzuschlag; Figure 2, page 5 of Brahms’s autograph score of the first movement of op. 99, is reproduced by permission of the Gesellschaft der Musikfreunde, Vienna; Figure 3, the photograph of Brahms and friends taken by Eugen von Miller zu Aichholz in 1894, is reproduced from Robert Haven Schauffler, The Unknown Brahms (New York, 1933), 134.
“Brahms, Max Klinger, and the Promise of the Gesamtkunstwerk,” by Kevin C. Karnes: Figures 2, 3, 4, and 6, from Klinger’s Brahms-Phantasie, are reproduced by permission of the Staatsbibliothek zu Berlin-Preußischer Kulturbesitz, Musikabteilung mit Mendelssohn-Archiv; Figure 7, the illustration by Johann Ulrich Krauß, is reproduced by permission of the Pitts Theology Library, Emory University.
“Johannes Brahms: The Last Days” and “Memories and Letters,” by Eduard Hanslick: the portrait of Hanslick is reproduced with permission of the Bildarchiv, Austrian National Library.
“My Early Acquaintance with Brahms,” by Richard Heuberger: the portrait of Heuberger is reproduced with permission of the Bildarchiv, Austrian National Library.
“Remembering Johannes Brahms: Brahms and His Krefeld Friends,” by Heinz von Beckerath: the photograph of Brahms and the Hagerhof circle comes courtesy Eugene Drucker, in memory of Ernest Drucker.
“Johannes Brahms as Man, Teacher, and Artist,” by Gustav Jenner: the portrait of Jenner was taken by Maria Fellinger and is reproduced from Gustav Jenner, Johannes Brahms als Mensch, Lehrer und Kunstler. Studien und Erlebnisse (repr. Munich: Wollenweber, 1989; repr. of 2nd ed., Marburg, Elwert, 1930).
“Brahms and the Newer Generation: Personal Reminiscences by Alexander von Zemlinsky and Karl Weigl”: the portrait of Alexander von Zemlinsky is reproduced with permission of the Bildarchiv, Austrian National Library; the portrait of Karl Weigl was taken by C. Pietzner Studio, Austria, and is reproduced with permission of the Gilmore Music Library, Yale University (photo no. 6, Box 28, Folder 903, MSS 73, Karl Weigl Papers).