List of Figures
1.1
Joel Engel, “Farewell,” mm. 1–11, from
Jewish Folk Songs
(1909)
3.1
Édition moderne des classiques. Sonate op. 27 n
o
2 pour piano. L. van Beethoven analysée par Georges Sporck
3.2
Excerpt from the
Musical Times
, September 1, 1913
5.1
Janet Ross,
The Land of Manfred
, Tarantella extract
5.2
Stendhal’s vertical listing of Catalani’s repertoire
5.3
Gustave Charpentier,
Impressions d’Italie
, opening
5.4
Elgar,
In Smyrna
, mm. 18–25
6.1
Robert Schumann, “Davidsbündlertänze”, mm 42–58
9.1
Title page of the
Dome
, showing unusual and innovative use of typography
9.2
A poster (greatly reduced) of the
Dome
(vol. 2, no. 6)
12.1
George R. Woodward, ed.,
Piae Cantiones
(1910), xxv
16.1
Beethoven, Symphony no. 6, “Pastoral,” op. 68, first movement: opening
16.2
Schubert, Sonata in A Minor, D. 845, first movement: mm. 51–71
16.3
Schubert, Sonata in A Minor, D. 845, first movement: mm. 140–155
16.4
Mendelssohn, Overture “The Hebrides,” op. 26: mm. 202–216
16.5
Mendelssohn, Overture “The Hebrides,” op. 26: opening
16.6
Delius,
Florida Suite
, “Daybreak”: opening
16.7
Delius,
Florida Suite
, “At Night”: coda (“La Calinda”)
19.1
Gus Williams, German character performer, Dana, New York, c.1872418
19.2
Clinetop Sisters, dancers, pantomimists and Zouave drills422
19.3
Vesta Tilley dressed as a young clerk. Philco Postcard, c.1910
20.1
Sir Simon Rattle, face transfixed with ecstasy at the dominant 13th harmonic climax at m. 731 of Mahler’s
Resurrection Symphony
. (From a performance by Sir Simon Rattle, City of Birmingham Symphony Orchestra and Youth Chorus; Hillevi Martinpelto, soprano, and Anne Sofie von Otter, mezzo-soprano; recorded in 1998 at Symphony Hall, Birmingham.)