Figure 1.1. |
Sign-up sheet for spring 2012 midterm reviews, Rhode Island School of Design, Department of Painting, MFA Program. |
Figure 1.2. |
Zach Seeger, Saskia, 2012. Canvas, fabric, foam, shells, 62 x 32 x 38 inches. (Image courtesy of the artist) |
Figure 1.3. |
Claudia Bitran, My Reflection, 2011. Acrylic on wooden panel, 5 x 5 feet. (Image courtesy of the artist) |
Figure 1.4. |
Taniya Vaidya’s midterm review, spring 2012. (Photograph: Douglas Burns) |
Figure 1.5. |
Joseph Bochynski, DIY Chair Kit (Shaker Model), 2012. Cement, rebar, wood forms, tools, cardboard box, 5 x 7 x 2 feet. (Image courtesy of the artist) |
Figure 1.6. |
Arthur Peña, (left) Attempt 14, 2012. Stitched canvas, latex, 36 x 36 inches; (right) Attempt 15, 2012, stitched canvas, latex, 36 x 36 inches. (Photograph: Kevin Jacobs; image courtesy of the artist) |
Figure 1.7. |
Douglas Burns, Untitled: Television Project, 2012. Mixed media, dimensions variable. (Image courtesy of the artist) |
Figure 2.1. |
Jan van der Straet/Stradanus (Phillip Galle, printmaker), Color Olivi, 8 x 10.5 inches. (16th–17th century). Woodcut. (Flemish Prints Collections, Graphic Division, Department of Rare Books and Special Collections, Princeton University Library) |
Figure 2.2. |
Jaime Sabartés. Photograph: El Comercio, Guatemala, 1913. (Public domain) |
Figure 2.3. |
Andy Warhol, Oxidation Painting (in 12 parts), 1978. Acrylic and urine on linen, 48 x 49 inches. (The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © 2010 The Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York) |
Figure 2.4. |
Claire Fontaine, Working Together, installation view, 2011. (Image courtesy of Metro Pictures, New York) |
Figure 3.1. |
Nicholas Frank, Nicholas Frank Biography, page 72 (Second Edition), 2002. Framed printed book page, 9 x 11 inches. (Image courtesy of the artist) |
Figure 3.2. |
Paul Druecke, Blue Dress Park Invite, 2000. Four-color printing on paper, folded size 5.25 x 6 inches, open size 10.5 x 12 inches. (Image courtesy of the artist) |
Figure 3.3. |
Kim Miller, still from Quincy Jones Experience, 2008. Digital video, 4:25 minutes. (Image courtesy of the artist) |
Figure 3.4. |
The Mary Nohl Art Environment. (Photograph: Debra Jane Seltzer) |
Figure 3.5. |
Carly Huibregtse, Adoration of the Mystic Lamb. Installed at 516-TJK. (Photograph: Imagination Giants) |
Figure 4.1. |
Dana Schutz, Presentation, 2005. Oil on canvas, 120 x 168 inches. (Image courtesy of the artist and Petzel, New York.) |
Figure 4.2. |
Dana Schutz, Frank on a Rock, 2002. Oil on canvas, 66 x 47 inches. (Image courtesy of the artist and Petzel, New York.) |
Figure 4.3. |
Dana Schutz, Face-Eater, 2004. Oil on canvas, 23 x 18 inches. (Image courtesy of the artist and Petzel, New York.) |
Figure 4.4. |
Dana Schutz, Singed Picnic, 2008. Oil on canvas, 80.25 x 90.25 inches. (Image courtesy of the artist and Petzel, New York.) |
Figure 4.5. |
Dana Schutz, Party, 2004. Oil on canvas, 72 x 90 inches. (Image courtesy of the artist and Petzel, New York.) |
Figure 4.6. |
Dana Schutz, God 1, 2013. Oil on canvas, 106 x 72 inches. (Image courtesy of the artist and Petzel, New York.) |
Figure 5.1. |
Mary Walling Blackburn, still from Oofoe (Exercise One), 2012. Digital video, 4:21 minutes. (Image courtesy of the artist) |
Figure 5.2. |
Mary Walling Blackburn, Library for (the land of fuck), installation view, 2011. Bard Center for Curatorial Studies. (Photograph: image courtesy of the artist) |
Figure 5.3. |
Mary Walling Blackburn, still from Grizzly Man Again, 2013. Digital video, 34:16 minutes. (Image courtesy of the artist) |
Figure 5.4. |
A large male polar bear with the remains of a cub he caught and killed in the Manitoba Conservation Churchill Wildlife Managment Area, November 20, 2009. (Photograph © 2009 Daniel J. Cox/NaturalExposures.com) |
Figure 5.5. |
Casa del Migrante, Tijuana, Mexico. (Photograph: Mary Walling Blackburn) |
Figure 6.1. |
Stephen Kaltenbach, Mirrored Contacts (Personal Appearance Manipulation), 1968. Photo collage, 18 x 24 inches. (Image courtesy of Nationalgalerie im Hamburger Bahnhof, Staatliche Museen zu Berlin) |
Figure 6.2. |
Stephen Kaltenbach, Nothing is Revealed (Graffiti Stencil), 1968. Stencil card, 9 x 12 inches. (Image courtesy of the artist and Another Year in LA) |
Figure 6.3. |
Stephen Kaltenbach, Artist’s Canvas to be arranged by Collector (Modern Draperies), 1967. Canvas, 3 x 12 feet. (Image courtesy of the artist and Another Year in LA) |
Figure 6.4. |
Giuseppe Penone, Rovesciare i propri occhi, 1970. (Photograph © Paolo Mussat Sartor) |
Figure 6.5. |
Stephen Kaltenbach, Couch Painting 3 (Lord and Taylor Series) by Es Que, 1968–2010. Digital print on canvas, edition of 5. (Image courtesy of the artist and Another Year in LA) |
Figure 6.6. |
Stephen Kaltenbach, Portrait of My Father, 1972–1979. Acrylic on canvas, 10 x 15 feet. (Image courtesy of the artist and Another Year in LA) |
Figure 6.7. |
Lee Lozano (as remembered by Stephen Kaltenbach), Time, 1969. (Image courtesy of the artist and Another Year in LA) |
Figure 6.8. |
Stephen Kaltenbach, PRESENT, 1970–present. Steel and unknown contents. (Image courtesy of the artist and Another Year in LA) |