Endnotes

1.Nina Hamnett, Laughing Torso – Reminiscences of Nina Hamnett (Read Books Ltd., Kindle Edition), Kindle location 942.

2.Charles Booth, Inquiry into Life and Labour in London (1886–1903), London School of Economics and Political Science Library Archive, digital poverty maps, retrieved 4 Aug 2017.

3.‘How a Noted Artist’s Model Reduced Her Weight 36 Pounds in Five Weeks’, The Tatler (Illustrated London News Group), 7 Mar 1917.

4.Francisque Sarcey, ‘Le Syndicat Olympe’, Le XIXe Siècle, 8 Sep 1891.

5.Harry Furniss, Harry Furniss at Home (London: T. Fisher Unwin, 1904), 50.

6.Mrs Frank Elliot, ‘Some Types of Artists’ Models’, St. James’s Gazette (The British Library Board), 21 Oct 1904.

7.John Thomas Smith, Nollekens and His Times (London: Richard Bentley And Son, 1895), 321.

8.University College, London Special Collections, MS ADD 250. Michael Reynolds, The Slade: Story of an Art School 1871–1971, 7:5.F. Models, 177.

9.George Moore, Conversations In Ebury Street (New York: Boni and Liveright, 1924), 151, 152.

10.Harry Furniss, Royal Academy Antics (London: Cassell & Company Limited, 1890), 29.

11.‘In Town and Out’, The Tatler (Illustrated London News Group), 24 Jun 1914.

12.The Hon. Evan Charteris, K.C., John Sargent, (New York: Charles Scribner’s Sons, 1927), 53.

13.Madame X, ‘A Woman’s Letter’, The Graphic (Illustrated London News Group), 19 Jan 1929.

14.Naomi Rosenblum, A World History of Photography, quote ascribed to Ernest Lacan in 1852 (New York City: Abbeville Press, 2008), 209.

15.Rumer Godden, Gone: A Thread of Stories, (New York: The Viking Press, 1968), vii.

16.Letter from Vanessa Stephen [Bell] to Clive Bell, n.d. [1905], executor of the estates of Vanessa Bell and Duncan Grant © Henrietta Garnett, all rights reserved. Retrieved from www.tate.org 10 Oct 2017.

17.‘Art Notes’, Illustrated London News (Illustrated London News Group), 13 Sep 1913.

18.Nina Hamnett, Laughing Torso – Reminiscences of Nina Hamnett (Read Books Ltd., Kindle edition), Kindle location 256.

19.Nigel Nicolson and Joanne Trautmann, ed., The Letters of Virginia Woolf, Volume Five 1932–1935 (New York: Harcourt Brace & Company, 1982), 55, quoting a letter from Virginia Woolf to Vanessa Bell, May 1932, letters © Quentin Bell and Angelica Garnett, all rights reserved.

20.The British Library, Add MS 83219, Higgens Papers. Vol. xxii. Diary of Grace Higgens, 1958–1967 © Estate of Grace Higgens, all rights reserved.

21.The British Library, Add MS 83204, Higgens Papers. Vol. vii. Diary of Grace Higgens, Aug–Oct 1924 © Estate of Grace Higgens, all rights reserved.

22.Quentin Bell, Bloomsbury Recalled (New York: Columbia University Press, 1995), 178.

23.Walter Sickert, 1907 letter to Nan Hudson and Ethel Sands, quoted by Robert Upstone, ed., in ‘Painters of Modern Life: the Camden Town Group’, Modern Painters: The Camden Town Group (London: Tate Britain exhibition catalogue, 2008), 21.

24.‘What Every Woman Wants To Know’, The Sketch (Illustrated London News Group), 1 Dec 1937.

25.Nicolette Devas, Two Flamboyant Fathers (London: Readers Union – Collins, 1968), 108.

26.Augustus John, ‘Gwendolen John (1943)’, The Burlington Magazine: A Centenary Anthology, Michael Levey, ed. (New Haven: Yale University Press, 2003), 75.

27.Mordaunt Savage, ‘Written in Malice’, The Sphere (Illustrated London News Group), 7 Dec 1929.

28.‘Aims and Programme of the Cabaret Theatre Club’, Cabaret Theatre Club (Cave of the Golden Calf, 9 Heddon Street, London W.1), May 1912.

29.Lady Diana Cooper, The Rainbow Comes and Goes (Boston: Houghton Mifflin Company, 1958), 77.

30.Nina Hamnett, Laughing Torso – Reminiscences of Nina Hamnett (Read Books Ltd., Kindle edition), Kindle location 1225.

31.Elsa Lanchester, A Gamut of Girls: Memoir (Santa Barbara: Capra Press, 1988), 14, referenced by Dr Jaap Harskamp in ‘Underground London: From Cave Culture Follies to the Avant-Garde’, Electronic British Library Journal, 2009.

32.‘Fair Lady Duellists in Paris’, Illustrated Police News (The British Library Board), 7 May 1904.

33.University of Victoria Special Collections and Archives, British Columbia, Canada, Or-12, letter from William Orpen to Beatrice Elvery [Bridgit], n.d.

34.National Library of Wales Archives, NLW MS 22782D.folio 81v, letter from Ida John to Augustus John, 1906, © Rebecca John; see Michael Holroyd and Rebecca John, eds., The Good Bohemian, The Letters of Ida John (New York: Bloomsbury Publishing USA, 2017), 273.

35.National Library of Wales Archives, NLW MSS 22789D.folio 69v, letter from Ida John to Dorelia McNeill, 1905, © Rebecca John; see Michael Holroyd and Rebecca John, eds., The Good Bohemian, The Letters of Ida John (New York: Bloomsbury Publishing USA, 2017), 208.

36.Nicolette Devas, Two Flamboyant Fathers (London: Readers Union–Collins, 1968), 85.

37.Lady Cynthia Asquith, Diaries 1915–1918 (New York: Alfred A. Knopf, 1969), 399, 417, 475.

38.Ezra Pound, The Selected Letters of Ezra Pound 1907–1941, D. D. Paige, ed. (New York: New Directions Publishing, 1971), 57, 61.

39.Millicent Duchess of Sutherland, Six Weeks at the War (London: The Times, 1914), 21, 22.

40.‘The Woman About Town’, The Sketch (Illustrated London News Group), 23 Dec 1914.

41.Brown University Library Archive 116015166093419, The Tyro Number 1, Wyndham Lewis, ed. (The Egoist Press, 1921), 2.

42.Simon Martin, The Mythic Method: Classicism in British Art 1920–1950 (Chichester: Pallant House Gallery, 2016), 18, 19.

43.‘Artistes Wanted’, The Era (Illustrated London News Group), 15 Feb 1913.

44.Jacob Epstein, Let There Be Sculpture (London: Readers Union Limited, 1942), 116.

45.Ibid., 117.

46.Iris Tree, letters to Clive Bell, 1915, 29.III.15 and 8.III.5, private collection of Lucy Peterson.

47.Iris Tree, Poems (London and New York: John Lane, The Bodley Head, 1920), 11, retrieved from Project Gutenberg 7 Nov 2017, #45643.

48.Library of Congress Archive, Image 47 of Chronicling America: Historic American Newspapers, ‘Surprising Lady ‘Connie’ Richardson Startles Nobility Once More’, The Washington [D.C.] Times, 4 Sep 1921.

49.‘To-day in the Courts: Russian Artist’s Work. £6 Damages in Amusing Theatrical Claim’, Pall Mall Gazette, 22 Oct 1914.

50.‘Topics of the Hour’, Islington Gazette (British Library Board), 21 Apr 1910.

51.‘The Letters of Eve – continued.’, The Tatler (Illustrated London News Group), 17 Apr 1918.

52.‘Feminine Fancies and Fashions’, The Graphic (Illustrated London News Group), 1 Jun 1918.

53.‘Child Faces Without a Flaw’, The Daily News, 29 Apr 1923.

54.Nicolette Devas, Two Flamboyant Fathers (London: Readers Union – Collins, 1968), 154.

55.Nevile Wilkinson, Yvette in Italy and Titania’s Palace (London: Humphrey Milford, Oxford University Press, 1922), 115.

In addition to the sources cited above, I would like to acknowledge the following works that contributed to my understanding of the economic, social and cultural landscape of early twentieth-century London:

Art Beyond the Gallery in Early 20th Century England, Richard Cork, author

Duncan Grant: A Biography, Frances Spalding, author

John William Godward: The Eclipse of Classicism, Vern G. Swanson, author

Mark Gertler: Selected Letters, Noel Carrington, editor

Some Sort of Genius: A Life of Wyndham Lewis, Paul O’Keeffe, author

Every reasonable effort has been made to assign correct attribution to the material reproduced in this book. Further information is welcome. For legal purposes, the Attributions and Endnotes constitute an extension of the copyright attached to this work.