8.1 The Denver Broncos logo.
8.2 The Seattle Seahawks logo is a registered trademark of Football Northwest
LLC.
8.3 Frederic Remington, The Broncho Buster. 1895.
8.4 Forehead Mask of Raven, Nuxalk, ca. 1880.
8.5 Seahawk mask by Nuxalk carver Latham Mack, 2016.
9.1 Marlene Nampitjinpa Spencer watching archival footage with relatives in Kintore, NT, in 2006.
12.1 The Coatlinchan monolith at the National Anthropology Museum’s entrance.
12.2 Political cartoon by Car titled “Al alcance del pueblo or At the people’s reach”.
12.3 The monolith’s transfer.
12.4 Close-up of comic strip, Una deidad en el asfalto.
12.5 The monolith captured and being erected as a monument in front of the National Anthropology Museum.
12.6 The monolith in situ in Coatlinchan in 1963.
18.1 Children of Ohinemutu c. 1900.
18.2 Children at Opononi Wharf, 2010.
18.3 Nga-ti Whakaue / Te Arawa welcome Pukaki home, Ohinemutu 1997.
18.4 Opening of Ko Tawa Exhibition, Australian Museum, Sydney, 2007.
18.5 Headstone unveiling of a rangatira, Reweti, 2007.
21.1 A local newspaper in the Province of Burgos publishes an article about an exhumation conducted near the town of Monte de Est诡r in the summer of 2014.
21.2 Memory activists await the arrival of representatives from the United Nations Working Group on Enforced or Involuntary Disappearances in Madrid, September 2013.
21.3 At the same event, a memory activist holds a large pancarta, or banner, with a photo-collage of images extracted from newspapers.
21.4 The kin of the disappeared carry portraits of their missing loved ones as they await the arrival of UN representatives.
21.5 A memory activist displays a poster-collage that includes images of his disappeared kin and copies of documents extracted from a military archive.
21.6 The forensic investigation carried out in Monte de Estépar resulted in the location of four mass graves and 96 cadavers, which were exhumed in July of 2014 and March of 2016.
21.7 Once skeletons are individualized and documented in situ, forensic team members remove them and place them in large boxes.
21.8 Victims’ kin and community members routinely attended the exhumation carried out in Monte de Estépar.
21.9 A young historian and archaeologist from the town of Oropesa de Toledo collects testimonies from community members who were small children during the Spanish Civil War and the ensuing dictatorship.
21.10 Felisa Herrero, the granddaughter and niece of two women who were extra-judicially killed after Francoist troops entered the town of Oropesa de Toledo in August of 1936, holds a family portrait that she keeps in her sewing room.
21.11 A magazine clipping from the makeshift archive kept in the home of a villager from Oropesa de Toledo.
21.12 A memorial located on the hill in Monte de Estépar where four mass graves were located.
21.13 Victims’ kin and members of a local memory association in the town of Calera y Chozas participate in the memorial event, in which remains recovered during an exhumation were returned to family and community members.
22.1 Screenshot from Local Contexts.
22.2 Attribution Label on Sq’éwlets website.
23.1 Yanyuwa Country.
23.2 Yanyuwa Country. Monash Country Lines animation still from Ngurdungurdu (The Tiger Shark) 2009.
23.3 Garrwa Country. Monash Country Lines animation still from Purdiwan (Pretty One) 2014.
23.4 Yagun Gulinj Wiinj (How Man Found Fire). Monash Country Lines animation still.
23.5 Marlukarra Ngarrkadabawurr: Karnanganjanyi (Emu Hunters of Excellence). Monash Country Lines animation still.