46. “If these Rondos … are to express their full effect, they must be played on a good fortepiano, on which the resonance of the struck tones will make the effect all the more powerful,” wrote a reviewer in 1780, the earliest report on the second collection “für Kenner und Liebhaber.” For the original text, see Suchalla, Briefe und Dokumente, 861–862, and chapter 4, note 8.