Dimensions of works are given in centimetres (and inches), height before width.
a=above, b=below, l=left, r=right
9 Detail of a relief from the tomb of Ankhmahor, Saqqara, showing Egyptian sculptors working on two statues, sixth dynasty, c. 2345–2181 BCE. Photo Werner Forman Archive 10 David Allan, The Origin of Painting, 1775. Oil on wood, 76.2 × 63.5 (30 × 25). Presented by Mrs. Byres of Tonley 1875. National Gallery of Scotland, Edinburgh 11 The Vernicle, a Russian two-sided icon, twelfth century. Tempera on wood, 77.2 × 71.4 × 2.6 (30⅓ × 28⅓ × 1) 13 Cyane, The Rape of Persephone by Hades (detail), c. 340–330 BCE. Fresco from Tomb I, Vergina, Greece 15 A photogravure of Charles Wellington Furse at work by an unknown photographer, 1903. 28 × 68 (11 × 26¾). From Jeremy Maas, The Victorian Art World in Photographs, Barrie and Jenkins, London, 1984 17 Pieter Bruegel the Elder, Dulle Griet (detail), 1562–6. Oil on canvas, 115.5 × 160.5 (45½ × 63½). Museum Mayer van den Bergh, Antwerp 18 Simon Thomassin after Errard, Idea, Conceptus imaginatio, Natura and Imitatio sapiens, from Fréart de Chambray’s Parallèle de l’architecture antique et moderne, 1702 19 Attributed to James Jefferys, Drawing of a prison scene, c. 1779. Pen and ink over grey wash, 29 × 56 (11½ × 22). Ashmolean Museum, Oxford 20 Rembrandt van Rijn, Woman bathing in a Stream, dated 1654. Oil on panel, 61.8 × 47 (24⅜ × 18½). National Gallery, London 21 Johannes Vermeer, The Lacemaker, 1665–8. Oil on canvas, 24 × 21 (9½ × 8¼). Musée du Louvre, Paris 23 Hermenegildo Bustos, Still Life with Fruit and Frog, 1874. Oil on canvas, 41 × 33.5 (16⅛ × 13⅛). Museo de la Alhondiga de Granaditas, Guanajuato 25 Jan van Eyck, The Virgin with Chancellor Rolin (detail), c. 1436. Oil on panel, 66 × 62 (26 × 24½). Musée du Louvre, Paris 26 Tom Walker, Stone, 1995. Pastel on paper, 25 × 25 (10 × 10). Private Collection 28 Roman wall-painting in the Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale, first century BCE. Fresco, 42.5 × 42 (16¾ × 16½). Rogers Fund, 1903. The Metropolitan Museum of Art, New York. Image 2017, The Metropolitan Museum of Art/Art Resource/Scala, Florence 29 Giotto, An illusionistic window, c. 1307. Fresco, 150 × 140 (59 × 55⅛). Electa/UIG/REX/Shutterstock 30 Artificial perspective (drawn by Julian Bell) 32 Attributed to Mao Sung, Monkey, early twelfth century. Colour on silk, 46 × 37 (18⅛ × 14⅝). Manjuin, Kyoto 33 George Stubbs, Portrait of a Monkey, 1774. Oil on panel, 70.5 × 60.3 (27¾ × 23¾). Private Collection/Bridgeman Images 34 Ottomar Anschütz, Monkey, 1886. Photograph, 20.2 ×14.7 (8 × 5¾). Rijksmuseum, Amsterdam 36 Alphonse Allais, First Communion of Anaemic Girls in Snowy Weather. Reconstruction of a work of 1883. Modern Bristol board and contemporary thumbtacks, 34.8 × 26.5 (13½ × 10⅝). Union Centrale des Arts Décoratifs, Musée des Arts Décoratifs, Paris 38 Chinese Scholar’s Stone. PhilipCacka/iStock 40 The Makapansgat pebble, from Transvaal. Natural History Museum, London/Diomedia 41 The wings of a bull’s eye moth. ImageBroker/Malcolm Schuyl/Diomedia 44 Marble bust of a Roman, first century AD. Photo DAI, Rome 45 Mochica head, d. circa first century AD. Painted pottery. Private Collection. Photo Heinrich Ubbelohde-Doering 46 Paulus van Vianen, A Forest Scene, c. 1600. Pen and brown ink over grey wash, 19.3 × 28.1 (7⅝ × 11). Szépmüvészeti Múzeum/Museum of Fine Arts, Budapest 49 Hieronymous Rodler, A Draughtsman using a Grid, 1531. Woodcut 50 Robert Hooke’s picture-box, 1694. Woodcut 51 A camera obscura (drawn by Julian Bell) 52 A device for the taking of silhouettes, eighteenth century. Engraving 53 The production of images by lenses and by the human eye, from Christopher Scheiner’s Rosa Ursina sive sol, 1630 55l Millet de Charlieu, Louis-Jacques Daguerre, 1827. Miniature (reproduced as a photogravure). Musée du Louvre, Paris 55r Carl Ferdinand Stelzner, A daguerreotype of a gentleman, c. 1848. Staatliche Landesbildstelle, Hamburg 57 Caspar David Friedrich, A Wanderer above the Sea of Fog, c.1818. Oil on canvas, 94.8 × 74.8 (37⅜ × 29½). Kunsthalle, Hamburg 58 Gustave Courbet, The Stonebreakers, 1849. Oil on canvas, 159 × 259 (62⅝ × 102). Formerly in Gemäldegalerie Neue Meister, Staatliche Kunstsammlung, Dresden; now destroyed 61 Gustave Courbet, The Source of the Loue, 1863. Oil on canvas, 84 × 106.5 (33⅛ × 42). Kunsthaus, Zurich 63 Claude Monet, Morning on the Seine at Giverny, 1893. Oil on canvas, 73 × 92 (28¾ × 36¼). Location unknown 64 Jean-Auguste-Dominique Ingres, Madame Moitessier, 1851. Oil on canvas, 146.7 × 100.3 (57¾ × 39½). The Samuel H. Kress Collection, 1946.7.18. National Gallery of Art, Washington, D.C. 65 Edgar Degas, Victoria Dubourg, c. 1868–9. Oil on canvas, 81.3 × 64.8 (32 × 25½). Gift of Mr. and Mrs.William E. Levis, 1963.45. The Toledo Museum of Art 66 Paul Cézanne, Mont Sainte-Victoire, 1902–4. Oil on canvas, 69.8 × 89.5 (27½ × 35¼). The George W. Elkins Collection, E1936-1-1 V.798. Philadelphia Museum of Art 68a Georges Braque, Harbor, 1909. Oil on canvas, 40.6 × 48.2 (16 × 19). Gift of Victoria Nebeker Coberly in memory of her son, John W. Mudd, 1992.3.1. National Gallery of Art, Washington, D.C. © ADAGP, Paris and DACS, London 2017 68b Pablo Picasso, Les oiseaux morts (Dead Birds), 1912. Oil on canvas, 46 × 65 (18⅛ × 25⅝). Museo Reina Sofia, Madrid. © Succession Picasso/DACS, London 2017 69 Piet Mondrian, Pier + Ocean, Composition no. 10, 1915. Oil on canvas, 85 × 108 (33½ × 42½). Rijksmuseum Kröller-Müller, Otterlo, The Netherlands 70a Painting depicting the signing of the Treaty of Lahore, India, 1846, c. 1847. Gouache, dimensions not known. Photo The Trustees of the British Museum 70b Theodor Schoefft, The Dasahra Festival at the Court of Lahore, c. 1845–50. Oil on canvas, dimensions not known. Sikh Museum, Lahore 71 Paul Cézanne, The Blue Vase (detail), c. 1885–7. Oil on canvas, 61 × 50 (24 × 19⅝). Musée d’Orsay, Paris 72 Pierre Bonnard, In the Bathroom, c. 1940. Oil on canvas, 92 × 61 (36¼ × 24⅜). Collection Stephen Mazoh. © ADAGP, Paris and DACS, London 2017 73a Peter Lanyon, St Ives Bay, 1957. Oil on board, 122 × 168 (48 × 66⅛). Tate, St Ives. © Sheila Lanyon. All Rights Reserved, DACS 2017 73b Rackstraw Downes, IRT Elevated Station at Broadway and 125th Street, 1981–3. Oil on canvas, 63.5 × 120.7 (25 × 47½). Purchase, Louis and Bessie Adler Foundation, Inc. Gift (Seymour M. Klein, President), 1984, 1984.93. The Metropolitan Museum of Art, New York. Copyright Rackstraw Downes 74 Adolph von Menzel, The Artist’s Foot, 1876. Oil on wood, 38.5 × 33.5 (15⅛ × 13¼). Bochum Kunstvermittung, Bochum 75 Chaim Soutine, View of Céret, c. 1922. Oil on canvas, 74 × 75 (29⅛ × 29½). Gift of Mabel Garrison Siemonn, 1960.57. The Baltimore Museum of Art 77 Henri Rousseau, The Football Players, 1908. Oil on canvas, 100.3 × 80.3 (39½ × 31⅝). Solomon R. Guggenheim Museum, New York 78 Philip Guston, Studio Landscape, 1975. Oil on canvas, 170.2 × 264.2 (67 × 104). Courtesy Hauser & Wirth, © The Estate of Philip Guston 79 Alice Neel, Margaret Evans, Pregnant, 1978. Oil on canvas, 146.7 × 96.5 (57¾ × 38). Courtesy David Zwirner, New York/London, © The Estate of Alice Neel 80 Bridget Riley, Blaze 4, 1964. Emulsion on hardboard, 109 × 109 (42⅞ × 42⅞). Courtesy Karsten Schubert, London, © Bridget Riley 2017. All rights reserved. 82 A car drawn by a blind man, from John M. Kennedy’s Drawing and the Blind, Yale University Press, New Haven and London, 1992 85 Frans Hals, Boy with Skull (detail), c. 1627. Oil on canvas, 92 × 81 (36¼ × 31⅞). National Gallery, London 87 Relations between marks, things, words and sounds (drawn by Julian Bell) 88 Master of the Treasure, St. Francis and Four Posthumous Miracles, 13th Century. Tempera, 112 × 154 (44⅛ × 60⅝). Antonio Quattrone/Electa/Mondadori Portfolio via Getty Images 89 Giotto, Resurrection (Noli me tangere), 1306. Fresco, 185 × 200 (72⅞ × 78¾). Scrovegni (Arena) Chapel, Padua, Italy 90 Titian, Diana & Actaeon, 1556-9. Oil on canvas, 184.5 × 202.2 (72⅝ × 79⅝). National Gallery, London 91 Nicolas Poussin, The Holy Family in Egypt, 1655-7. Oil on canvas, 105 × 145 (41¾ × 57⅛). State Hermitage Museum, St Petersburg 92 Benjamin West, The Death of General Wolfe, 1770. Oil on canvas, 152.6 × 214.5 (60⅛ × 84½). Gift of the 2nd Duke of Westminster to the Canadian War Memorials, 1918; transfer from the Canadian War Memorials, 1921, no. 8007. National Gallery of Canada, Ottowa 93 Théodore Géricault, The Raft of the Medusa, 1819. Oil on canvas, 491 × 716 (193 × 262). Musée du Louvre, Paris 95 Jean Auguste Dominique Ingres, The Source, 1856. Oil on canvas, 163 × 80 (64 × 31). Musée d’Orsay, Paris 97 James Nasmyth, Nasmyth’s Steam Hammer at Work, 1871. Oil on board, 40 × 50 (15¾ × 19⅝). Science Museum Collection. Images Group/REX/Shutterstock 98 Adolph von Menzel, View over Anhalt Station by Moonlight, c. 1846. Oil on paper and panel, 46 × 35 (18⅛ × 13¾). Museum Oskar Reinhart am Stadtgarten, Winterthur 101 Edgar Degas, At the Café, c. 1877. Oil on canvas, 66 × 55 (26 × 21⅝). Fitzwilliam Museum, Cambridge 102 Edgar Degas, Frieze of Dancers, 1895. Oil on fabric, 70 × 200.5 (27½ × 78⅞). Gift of the Hanna Fund, 1946.83. The Cleveland Museum of Art 103a Étienne-Jules Marey, Cinémathèque, 1880s. Chronophotograph 103b Giacomo Balla, Girl running on a Balcony, 1912. Oil on canvas, 125 × 125 (49¼ × 49¼). Civica Galleria d’Arte Moderna, Milan. © DACS 2017 105 Henri Matisse, Dance, 1910. Oil on canvas, 260 × 391 (102⅜ × 153⅞). State Hermitage Museum, St. Petersburg. © Succession H. Matisse/DACS 2017 106 El Lissitzky, ProUN: Interpenetrating Planes, 1919–20. Oil on canvas, 81 × 59 (37⅞ × 23¼). Staatliche Galerie Moritzburg, Halle 107 Jackson Pollock painting No. 32, 1950. Photograph Rudolph Burckhardt © ARS, NY and DACS, London 2017 © The Pollock-Krasner Foundation ARS, NY and DACS, London 2017 108 Pablo Picasso, Guernica, 1937. Oil on canvas, 349.3 × 776.6 (138 × 308). Museo Nacional Centro de Arte Reina Sofia, Madrid. © Succession Picasso/DACS, London 2017 109 Andy Warhol, Orange Car Crash Fourteen Times, 1963. Silkscreen ink on synthetic polymer paint on canvas, 268.9 × 416.9 (105 × 164). Gift of Philip Johnson, 234.1991.a-b. The Museum of Modern Art, New York. © 2017 The Andy Warhol Foundation for the Visual Arts, Inc. /Artists Rights Society (ARS), New York and DACS, London 110 Gerhard Richter, Man Shot Down 1, from October 18, 1977 series, 1988. Oil on canvas, 100 × 140 (39 ⅜ × 55 1/8). The Museum of Modern Art, New York. © Gerhard Richter 2017 (1279) 111 Luc Tuymans, Gaskamer (Gas Chamber), 1986. Oil on canvas, 61 × 82.5 (24 × 32½). Over Holland Collection 112 Anselm Kiefer, Alexander VI, 1996. Emulsion, acrylic and gold leaf on canvas, 330 × 560 (130 × 218¾). Modern Art Museum of Fort Worth, Texas. Courtesy Anthony d’Offay Gallery, © Anselm Kiefer 113a Pansy Napangati, Untitled, 1989. Acrylic on canvas, 121.8 × 182.8 (71⅞ × 47⅞). Purchased from Admission Funds, 1989. National Gallery of Victoria, Melbourne. © the artist licensed by Aboriginal Artists Agency Ltd 113b Julie Mehretu, Black City, 2007. Ink and acrylic on canvas, 304.8 × 487.7 (120 × 192). Courtesy Marian Goodman Gallery and White Cube, photo © Tim Thayer, © Julie Mehretu 114 Neo Rauch, Heillichtung, 2014. Oil on canvas, 300 × 500 (118⅛ × 196⅞). Courtesy Gallery Eigen+Art Leipzig/Berlin and David Zwirner New York/London. Photo Uwe Walter, Berlin, © Neo Rauch, courtesy Galerie EIGEN+ART Leipzig/Berlin/DACS 2017 115 Tomma Abts, Oke, 2013. Acrylic and oil on canvas, 48 × 38 (18 ⅞ × 14 ½). Photo Marcus Leith. Courtesy of greengrassi, London and David Zwirner, New York 117 Piero Manzoni, Artist’s Shit No 055, 1961. Metal can, 4.8 × 6.5 × 6.5 (1⅞ × 2½ × 2½). © DACS 2017 118 Chen Rong, Nine Dragons (detail), 1244. Ink and colour on paper, 46.2 × 958.4 (183/16 × 3775/16). Francis Gardner Curtis Fund, 17.1697. Museum of Fine Arts, Boston 119 Murakami Kagaku, Autumn Willow (detail), 1938. Ink and body-colour on paper, 21.9 × 53.4 (8⅝ × 21). Private Collection 120 Cimabue (Cenni di Peppo), The Flagellation of Christ, c. 1280. Tempera on poplar panel, 24.8 × 20 (9¾ × 7⅞). 1950.1.159. The Frick Collection, New York 121 Charles Le Brun, Expressions of the Passions, 1692. Etching 126 Giovanni Battista Cima da Conegliano, The Virgin Mary and Child with Saints Andrew and St Peter, c. 1500 (unfinished). Oil on panel, 47.7 × 39.7 (18¾ × 15⅝). National Gallery of Scotland, Edinburgh 127l Michelangelo, Christ on the Cross with the Virgin Mary and St John (recto), 1555-64. Black chalk, traces of white heightening and red chalk, 40.5 × 21.8 (16 × 8⅝). Royal Collection, Windsor 127r Peter Paul Rubens, St Sebastian, c. 1614. Oil on canvas, 200 × 120 (79 × 47). Berlin State Museums, Gemäldegalerie, Berlin 129 James Abbott McNeill Whistler, Nocturne in Blue and Silver: Cremorne Lights, c. 1870. Oil on canvas, 49.7 × 73.8 (19¾ × 29¼). Tate, London 130 Vincent van Gogh, Bedroom at Arles, 1889. Oil on canvas, 57.5 × 74 (22½ × 29⅛). Musée d’Orsay, Paris 131 Paul Sérusier, The Talisman/Le Talisman, 1888. Oil on wood, 27 × 21.5 (10⅝ × 8½). Musée d’Orsay, Paris 134 William Blake, The Simoniac Pope, 1824–7, from Blake’s illustrations for Dante’s Divine Comedy. Pen and watercolour, 52.7 × 36.8 (20¾ × 14½). Tate, London 135 Georgiana Houghton, The Omnipresence of the Lord, 1864. Oil on canvas, 24 × 32 (9½ × 12⅝). The Victorian Spiritualists’ Union, Melbourne 136 Tivadar Csontváry Kosztka, Ruins of the Greek Theatre at Taormina, 1904–5. Oil on canvas, 302 × 570 (118⅞ × 224⅜). Magyar Nemzeti Galéria, Budapest 137a Francis Danby, The Deluge, 1840. Oil on canvas, 284.5 × 45 (112 × 178). Tate, London 137b Vasily Kandinsky, Composition VI, 1913. Oil on canvas, 195 × 300 (76 × 118⅛). State Hermitage Museum, St Petersburg 140 Salvador Dalí, Soft Construction with Boiled Beans (A Premonition of Civil War), 1936. Oil on canvas, 100 × 99 (39⅜ × 39). The Louise and Walter Arensberg Collection, 1950, 1950-134-41. Philadelphia Museum of Art. © Salvador Dalí, Fundació Gala-Salvador Dalí, DACS 2017 141 Joan Miró, Painting, 1927. Oil and gouache on canvas, 146 × 114 (4411/16 × 57½). The Albert M. Greenfield and Elizabeth M. Greenfield Collection, 1974, 1974-178-36. Philadelphia Museum of Art. © Successió Miró/ADAGP, Paris and DACS London 2017 142 Otto Dix, War-wounded, 1922. Watercolour on paper, 49 × 37 (19¼ × 14⅝). Private Collection. © DACS 2017 144 Alberto Burri, Sacco 5 P, 1953. Sack, acrylic and fabric on canvas, 150 × 130 (59 × 51⅛). Città di Castello, Fondazione Albizzini. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello – DACS 2017 145 Mark Rothko in his studio, photographed by Hans Namuth, 1964. © 1991 Hans Namuth Estate. Collection, Center for Creative Photography, University of Arizona 146 Frank Auerbach, Head of J.Y.M., 1981. Oil on board, 56 × 50.8 (22⅛ × 20). Southampton Art Gallery. © Frank Auerbach, courtesy Marlborough Fine Art 147 Glenn Brown, The Day The World Turned Auerbach, 1991. Oil on canvas, 56 × 56 (22 × 22). Private Collection. Courtesy the artist and Gagosian © Glenn Brown. 149 Robert Ryman, Untitled, 1965, Oil on linen, 28.6 × 28.6 × 3.2 (11¼ × 11¼ × 1¼). Gift of Werner and Elaine Dannheisser, 201.1996. The Museum of Modern Art, New York. Photograph courtesy the artist and Pace Gallery, © Robert Ryman/DACS, London 2017 151 Clemens von Oertzen (Victor Orth), Untitled, no date. Watercolour on paper, 22 × 29.4 (8⅝ × 11⅝). Inventory number 716. Prinzhorn Collection, University Psychiatric Clinic, Heidelberg 154 Lorenzo Ghiberti, Story of Jacob and Esau, panel from the Gate of Paradise, 1425-52. Gilt Bronze. Museo dell’Opera del Duomo, Florence 156 Jusepe de Ribera, The Sense of Touch, c. 1615. Oil on canvas, 115.9 × 88.3 (45⅝ × 34¾). The Norton Simon Foundation, F.1965.1.052.P. Norton Simon Museum, Pasadena, California 157 Honoré Daumier, Salon of 1857…Sad expression on the sculpture placed in the middle of the paintings, 1857. Lithograph, 33 × 24.5 (13 × 9⅝). Bequest of William Perkins Babcock, inv. 00.1889. Museum of Fine Arts, Boston 158 Albrecht Dürer, St Jerome in his Study, 1514. Copper engraving, 24.6 × 18.9 (911/16 × 77/16). Fletcher Fund, 1919, 19.73.68. The Metropolitan Museum of Art, New York 160 Édouard Manet, Olympia, 1863. Oil on canvas, 129.5 × 190 (51 × 74¾). Musée d’Orsay, Paris 161 Pablo Picasso, Les Demoiselles d’Avignon, 1907. Oil on canvas, 243.9 × 233.7 (96 × 92). Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York. © Succession Picasso/DACS, London 2017 162l Pablo Picasso, Les Desmoiselles d’Avignon (detail), 1907. Oil on canvas, 243.9 × 233.7 (96 × 92). Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York. © Succession Picasso/DACS, London 2017 162r Édouard Manet, Olympia (detail), 1863. Oil on canvas, 129.5 × 190 (51 × 74¾). Musée d’Orsay, Paris 164 Pablo Picasso, Guitar, 1912. Construction of sheet metal, string and wire, 77.5 × 35 × 19.3 (30½ × 13¾ × 7⅝). Gift of the artist. Museum of Modern Art, New York. © Succession Picasso/DACS, London 2017 165 Georges Braque, Glass, Bottle and Journal, 1912. Charcoal and faux-bois wallpaper on paper, 48 × 62 (18⅞ × 23⅜). The Beyeler Foundation, Basel, Switzerland. © ADAGP, Paris and DACS, London 2017 166 Piet Mondrian, Tableau 1, 1921. Oil on canvas, 103 × 100 (40½ × 39 ⅜). The Hague, Gemeentemuseum. © 2017 Mondrian/Holtzman Trust 169 Jackson Pollock, Autumn Rhythm (Number 30), 1950. Enamel on canvas, 266.7 × 525.8 (105 × 207). George A. Hearn Fund, 1957, 57.92. The Metropolitan Museum of Art, New York. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2017 170 Helen Frankenthaler, Red Square, 1959. Oil and crayon on sized, primed canvas, 172.7 × 320.7 (68 × 126¼). Bennington College. © Helen Frankenthaler Foundation, Inc./ARS, NY and DACS, London 2017 171 Robert Rauschenberg, Collection, 1954. Combine: oil, paper, fabric, newspaper, printed reproductions, wood, metal, and mirror on three canvas panels, 203.2 × 243.8 × 8.9 (80 × 96 × 3½). Gift of Harry W. and Mary Margaret Anderson. San Francisco Museum of Modern Art. Photograph courtesy Robert Rauschenberg Foundation, © Robert Rauschenberg Foundation/DACS, London/VAGA, New York 2017 172 Frank Stella, For Picabia, 1961. Oil on canvas mounted on masonite, 28.5 × 57.1 (11¼ × 22½). Private Collection. Photo Christie’s Images/Bridgeman Images. © Frank Stella. ARS, NY and DACS, London 2017 173 Donald Judd, To Susan Buckwalter, 1964. Galvanized iron, aluminium, and lacquer, 76.2 × 358.14 × 76.2 (30 × 141 × 30). The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art. Courtesy Judd Foundation © Judd Foundation/ARS, NY and DACS, London 2017 175 Dogs playing pool, from Jennifer Heath’s Black Velvet: The Art We Love to Hate, Pomegranate, San Francisco, 1994. Photo Ken Abbott. 177 Jean-Michel Basquiat, Dustheads, 1982. Acrylic, oilstick, spray enamel and metallic paint on canvas, 182.8 × 213.3 (72 × 84). Private Collection. © The Estate of Jean-Michel Basquiat/ADAGP, Paris and DACS, London 2017 178 Katharina Grosse, Un altro uomo che ha fatto sgocciolare il suo pennello, 2008. Acrylic on wall, floor, polyester resin, soil, canvas and various objects, 800 × 1100 × 1100 (315 × 433 × 433). Galleria Civica di Modena, 2008. Photo Paolo Terzi. © Katharina Grosse and VG Bild-Kunst, Bonn, 2009/DACS 2017 180 Jacopo Bellini, The Annunciation (detail of the central panel), early 1430s. Tempera on panel, 219 × 98 (86¼ × 38⅝). Sant’Alessandro, Brescia, Italy 182 Philipp Otto Runge, Morning, 1808. Oil on canvas, 109 × 85.5 (42⅞ × 33⅝). Kunsthalle, Hamburg 185 Georges Seurat, Nude, 1887 (sketch for Les poseuses). Oil on board, 24.5 × 15.5 (9⅝ × 6¼). Musée d’Orsay, Paris 186 María Elena Vieira da Silva, The Corridor (La Chambre Grise), 1950. Oil on canvas, 65 × 92 (25⅝ × 36¼). Tate, London. © ADAGP, Paris and DACS, London 2017 189 Gerhard Richter, Table, 1962. Oil on canvas, 90 × 113 (35½ × 44½). © Gerhard Richter 2017 (1278) 190 Francis Bacon, Study after Velazquez’s Portrait of Pope Innocent X, 1953. Oil on canvas, 153 × 118 (60 × 46). Des Moines Art Centre, Des Moines, Iowa. Photo Marlborough Fine Art (London), Ltd. © The Estate of Francis Bacon. All rights reserved. DACS 2017 195 ‘The Black Square Room’, Ad Reinhardt exhibition at the Jewish Museum, New York, 1966–7. Photo The Jewish Museum, New York, Visual Resources Archive. © ARS, NY and DACS, London 2017 197 Sandro Chia, The Water Bearer, 1981. Oil and pastel on canvas, 2065 × 1700 (813 × 699¼). Tate, London. © Sandro Chia. DACS, London/VAGA, New York 2017 201 Painting’s market-place (drawn by Julian Bell) 202 The painter at work (drawn by Julian Bell) 204 Painting’s compass (drawn by Julian Bell) 205 Grigory Soroka, Reflection in a Mirror, 1840s. Oil on canvas, 41.5 × 38.5 (16⅜ × 15⅛). Photo 2017, State Russian Museum, St Petersburg