Figures and Tables

Figures

2.1 SOAR model

2.2 Newell’s unified theory of cognition

2.3 Newell’s model adapted to a mode of improvisation

2.4 Predictive processing in improvisation

2.5 Attention in everyday cognition

2.6 Attention in improvisation or trance

2.7 Sawyer’s model of social emergence in improvisation

2.8 The fir-branch model in everyday interaction

2.9 Maximised connectability in improvisation

2.10 The emergent code

2.11 The emerging game and game breaking

12.1 The cast of 100 Migrationsperforms ‘The Hundreds’ gesture sequence. Image courtesy of Bill T. Jones/Arnie Zane Dance Company

12.2 Cast members of 100 Migrationsperform a supported lift. Image courtesy of Bill T. Jones/Arnie Zane Dance Company

23.1 The set for the first part of The Concept of the Face248

Tables

2.1 Four kinds of offers

2.2 The beginning of a two-minute scene at the Improv Institute

21.1 How the rasa shringāra is generated