Editor: Nicholas Pearson. Copy editor: Robert Lacey. Text design & layout: Richard Marston. Cover design and line illustrations: Joe Lyward. Picture research: Jordan Mulligan. Publicity: Patrick Hargadon. Marketing: Tara Al Azzawi. Representation: the late Gillon Aitken, Clare Alexander, Lisa Baker.
Cape Cod, New England & New York: Pat de Groot, Dennis, Deborah and Dory Minsky, John Waters, Mary Martin, the late Frank Schaefer, Jen Bradley, Sacha Richter, Laura Ludwig and Stormy Mayo, John and Marilyn Gullett, Elspeth Vevers, Elizabeth Bradfield, Jonathan Sinaiko, Chris Busa, Jessica Strauss, Jo Hay, Sebastian Junger, Tom Thompson, Albert Merola and James Balla; Mark Dalombo, Todd Motta and John Conlon at the Dolphin Fleet; Robert Tarr Edmunds Jr; Jim Bride; James Russell, Christina Connett and Robert Rocha, New Bedford Whaling Museum; John Bryant and the Melville Society; Peter Gansevoort Whittemore, Jim Bride, Concord Free Public Library, Andrew Delbanco, David M. Friedman, Mick Rock. The Azores: Serge Viallelle and João Quaresma, Espaço Talassa. The Netherlands: Jeroen Hoekendijk, Ellen Gallagher. Mexico: Laura Logar, Isabel Cárdenas Oteiza; Alfredo T. Ortega, Centro Universitaro de la Costa. Catalunya: Claudia Casanova and Joan Eloi Roca, Ático de los Libros; Francesc Serés, the Faber Residency, Olot. Ireland: Peter Wilson, Ann Wilson and Jim Wilson; Mark Wickham, Tara Kennedy, Eoin Wickham and Sinéad Ní Bhroin; Aengus O’Marcaigh, Barra Ó Donnbháin, Alicia St. Ledger, Paul O’Regan. Scotland and the Western Isles: Roddy Murray, Ian Stephen, Julie Brook; WDC Scottish Dolphin Centre; Scottish Seabird Centre, North Berwick.
United Kingdom: Joe Lyward, Adam Low, Martin Rosenbaum, Jill Evans, James Norton; Andrew Sutton and Rachel Collingwood; Angela Cockayne, Alison Turnbull, Gareth Evans, Olivia Laing, Viktor Wynd, Iain Sinclair, Horatio Morpurgo, Jessica Sarah Rinland, Edward Sugden, Alex Farquharson, Volker Eichelmann, Marc Rees; Claire Doherty and Michael Prior at Situations; Tim Dee, Chris Watson, Duncan Minshull, Mark Cocker, Robert Macfarlane, Cillian Murphy, Tilda Swinton, Neil Tennant, Michael Bracewell, Brian Eno, Nicolas Roeg, Merlin Holland, Rupert Everett, Hugo Vickers, Paul Kildea, Andrew Motion; Peter Owen, Jane Potter and the Wilfred Owen Literary Estate; Stephen Hebron and Helen Gilio, The Bodleian Library; Susan Usher, English Faculty Library, Oxford; Hal Whitehead, Luke Rendell; Torquay Museum; Fr Claro Conde, Mary Hallett, Anna Eades, Katherine Anteney, Nick Moore, Clare Moore, Sam Goonetillake, Nigel Larcombe-Williams, Clare Goddard, Michael Holden, Pamela Ashurst and the late Ron Ashurst; Geoffrey Marsh, Victoria and Albert Museum; Louise Simkiss, Amy Miller, National Maritime Museum; Harriet Williams, Jane Fletcher, Mehta Bhavit, British Council; Damon Teagle, Millie Watts, National Oceanographic Centre; Dan Brown, Will May, Rebecca Smith, Stephanie Jones, Carole Burns, Matt Kerr, Karen Robson, Joel Found, University of Southampton. And my family and friends: Lawrence, Stephen, Christina and Katherine; Oliver, Cyrus, Harriet, Jacob, Lydia and Max; Mark, Ruth, Lilian and Freddie; and Tangle.
Philip Hoare, Easter 2017
www.4thEstate.co.uk/RISINGTIDEFALLINGSTARsources
and at www.philiphoare.co.uk
7, Special Collections, Hartley Library, University of Southampton; 16, Front cover in its entirety from the New Penguin Shakespeare The Tempest by William Shakespeare (Penguin Books Ltd, 1968), Copyright © Penguin Books, 1968; 31, 35, 45, 53, 55, 57, Pat de Groot; 48, The Straus Historical Archive; 61, 78, Dennis Minsky; 81, Benjamin D. Maxham/Pictorial Press/Alamy; 90, Maurice Adams Beck and Helen Macgregor, 1924, Getty Images; 104, The Lilly Library, Indiana University; 130, Dea Picture Library/Getty Images; 135, Erich Lessing/Magnum; 149, 151, © The Cecil Beaton Studio Archive at Sotheby’s; 172, Joe Lyward; 173, National Galleries of Scotland/Getty Images; 197, 198, courtesy of Nottingham City Museums and Galleries; 207, Bettmann/Getty Images; 211, Print Collector/Getty Images; 218, The Bodleian Library, University of Oxford; 229, © Torre Abbey Collection/Bridgeman; 241, ART Collection/Alamy; 243, Armstrong Browning Library, Baylor University, Waco, Texas; 257, PA Images; 260, 261, 269, 289, 294, The Wilfred Owen Literary Estate/Bodleian Library, University of Oxford, with special thanks for funding to the English Research Committee and the Department of English, University of Southampton; 276, The Wilfred Owen Literary Estate/Special Collections, The University of Manchester; 279, Archive.org; 296, Jean Pierre Lambré; 308, Print Collector/Getty Images; 309, Heritage Images/Getty Images; 315, De Agostini/Biblioteca Ambrosiana; 316, Royal Collection Trust, courtesy Her Majesty Queen Elizabeth II; 321, Tate London; 324, ART Collection/Alamy; 364, National Library of Ireland; 381, Sinéad Ní Bhroin; 395, image from ‘John I’m Only Dancing’ video, © Mick Rock 1972, 2017.
All other images from the author’s collection. While every effort has been made to trace the owners of copyright material, in some cases this has proved impossible. The publishers would be grateful for any information that would allow any omissions to be rectified in future editions of this book.