CONTENTS
List of Illustrations
Acknowledgments
1The Unfinished Project
The Manuscript
A Model of Integration
Daumier and the Choice of Caricature
Scholarship and Exile
A Humanist Experiment
2Toward a Psychology of Art, 1919–32
Kris and the Vocation of Art History
Introspection and a New Realism
Entering the Museum
Borderline Art
Psychoanalysis and Art History
The Republican Interregnum
3The Vienna–London Connection, 1932–36
Gombrich and the Question of Art History
Confronting Doubt
The Crisis of the Republic
Shared Scholarship
Warburg, Freud, and the Psychology of Caricature
Saxl, Read, and the Art of Caricature
4Daumier in Vienna, 1936
The Discreet Charm of the Austrian Bourgeoisie
Looking Toward France
Daumier and Austrian Politics
A Republican Art Exhibition
The Disasters of War
5The Caricature Book, 1936–38
Completing the Manuscript in Vienna
The Classical Mask
The Switch
The Pear
The Moderns
The Fate of Political Art
6From Vienna to London and New York, 1938–41
Leaving the Museum
The End of the Republic
Seeking a Public in London
The BBC and the Journey to New York
Marshall, Lynd, and Content Analysis
Psychology and Propaganda
7War Work, 1941–45
Scholarship and War
From Reading Room to Listening Post
Theories of Propaganda
The Dilemma of Antifascism
An Integrated Front
Combative Pessimism
8Between Past and Future, 1945–65
Fragmented Possibilities
The Manuscript Revisited
Caricature and Conceptual Vision
Political Dissent and Experimental Conditions
Notes
Bibliography
Index