Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title
Copyright
About the author(s)/editor(s)
About the book
This eBook can be cited
Contents
Illustrations
Acknowledgments
Book Chapters
Conferences
Permissions/Print
Permissions/Images
Preface
Part One: Distortion in the Contemporary Lyric and Prose Poem
Distortion & Disjunction in Contemporary American Poetry
Works Cited
Part Two: Distortion within Poetry, Nature, Culture, and Media
Poetry, Reality, & Place in a Placeless World of Global Communication
1
2
3 (The Emergency of Poetry)
4
5
6
7
8
The Shock of the New
9
10
11
12
13
14
Works Cited
Toward a Wilderness of the Artificial
Works Cited
Part Three: Concept, Hyperbole, and Truth as Forms of Abstraction in Poetry
The Poem as Concept
1
2
Works Cited
Three Notions of Truth in Poetry
1
2
3
Works Cited
Part Four: Distortion, Transition, and Memorability in Poetry
Raising Poetry to a Higher Power
Works Cited
Poetry & Memorability
Works Cited
Part Five: Temporal Distortion and Originality in Poetry
Poetry & Originality: “Have you been there before?”
1 The Imagination as Undefined Truth
2 Philosophies of Mystery and Wonder
3 New World Cartographers
4 Make It New
5 Silence the Existing Rhetoric
Works Cited
Origin, Presence, & Time in the Poetry of W. S. Merwin
Works Cited
Jorie Graham: Kite’s Body & Beyond
1
2
Works Cited
A Romp through Ruefleland: Mary Ruefle’s Selected Poems & Madness, Rack, and Honey: Collected Lectures
Works Cited
Part Six: Myth and Archetype as Forms of Abstraction
Orpheus, Parzival, & Bartleby: Ways of Abstraction in Poetry
I
II
III
Works Cited
Bibliography
Author Index
About the Author
Series index
← Prev
Back
Next →
← Prev
Back
Next →