Red, White & Black · Cinema and the Structure of U.S. Antagonisms by Wilderson, Frank B. III -- Read -- Imperial Library of Trantor

Index

COVER PAGE TITLE PAGE COPYRIGHT PAGE Contents ACKNOWLEDGMENTS INTRODUCTION: UNSPEAKABLE ETHICS

A Note on Method

1: THE STRUCTURE OF ANTAGONISMS

ONE: THE RUSE OF ANALOGY TWO: THE NARCISSISTIC SLAVE

A Culture of Politics The Dilemmas of Black Film Studies Lacan’s Corrective Fanon and Full Speech Civil Society and Its Discontents What Masters Rediscover in Slaves Conclusion

2: ANTWONE FISHER AND BUSH MAMA

THREE: FISHING FOR ANTWONE

A View from the Void How Massa Got His STEP Back

FOUR: CINEMATIC UNREST BUSH MAMA AND THE BLACK LIBERATION ARMY

Was It Just a Fantasy? White Policing from the Left Invitations to the Dance

3: SKINS

FIVE: ABSURD MOBILITY SIX: THE ETHICS OF SOVEREIGNTY

Governance Religion Land Sovereignty and the Structure of Antagonisms

SEVEN: EXCESS LACK EIGHT: THE PLEASURES OF PARITY NINE: “SAVAGE” NEGROPHOBIA

4: MONSTER’S BALL

TEN: A CRISIS IN THE COMMONS

Negri and Hardt Dancing at the Monster’s Ball Who Took the Form Out of Transformative?

ELEVEN: HALF-WHITE HEALING

Historical Stillness

TWELVE: MAKE ME FEEL GOOD

EPILOGUE NOTES

Introduction One: The Ruse of Analogy Two: The Narcissistic Slave Three: Fishing for Antwone Four: Cinematic Unrest Five: Absurd Mobility Six: The Ethics of Sovereignty Seven: Excess Lack Eight: The Pleasures of Parity Nine: “Savage” Negrophobia Ten: A Crisis in the Commons Eleven: Half-White Healing Twelve: Make Me Feel Good Epilogue

REFERENCES

Bibliography Filmography