Music and Theology by Zager, Daniel -- Read -- Imperial Library of Trantor

Index

Title Page Copyright Page Table of Contents Preface 1 - “The Soul Is Symphonic”: Meditation on Luke 15:25 and Hildegard of Bingen’s Letter 23

NOTES

2 - Early Lutheran Hymnals and Other Musical Sources in the Kessler Reformation Collection at Emory University

PAMPHLETS CONTAINING ONE OR MORE SONGS HYMNALS LITURGIES CHURCH ORDERS OTHER NOTES

3 - Tradition with Variations: Chorale Settings per omnes versus by Buxtehude and Bach

HYMNODY IN LÜBECK DURING BUXTEHUDE’S TIME BUXTEHUDE’S PER-OMNES-VERSUS CHORALE SETTINGS BACH’S PER-OMNES-VERSUS CHORALE SETTINGS NOTES

4 - Bach’s Preluding for a Leipzig Academic Ceremony

NOTES

5 - Bach’s Setting of the Hymn Tune “Nun komm, der Heiden Heiland” in His Cantatas and Organ Works

THE HYMN TEXT BACH’S SETTING OF “NUN KOMM, DER HEIDEN HEILAND” IN HIS CANTATAS THE ORGAN SETTINGS OF “NUN KOMM, DER HEIDEN HEILAND” CONCLUSION NOTES

6 - Historically Informed Rendering of the Librettos from Bach’s Church Cantatas

MEANINGS MADE CLEAR BY BIBLICAL REFERENCES MEANINGS MADE CLEAR BY IMPLIED BIBLICAL PHRASES MEANINGS MADE CLEAR FROM BIBLICAL/THEOLOGICAL REFERENCES PASSAGES OBSCURED BY ARCHAIC LANGUAGE PASSAGES THAT ARE SIMPLY DIFFICULT NOTES

7 - The Role of the “Actus Structure” in the Libretto of J. S. Bach’s Matthew Passion

NOTES

8 - Two Unusual Cues in J. S. Bach’s Performing Parts

PITCH CUES A CUE TO REFER TO ANOTHER PART NOTES

9 - Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon Triplex (BWV 1076)

THE IMAGE OF BACH HAUßMANN’S IMAGE OF BACH THE CANON TRIPLEX IN MODERN LITERATURE TOWARD BACH’S IMAGE OF THE CANON TRIPLEX NOTES

10 - Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988)

RECENT RESEARCH AND A NEW HYPOTHESIS 1. BACH’S MELODIES—ORIGINAL OR BORROWED? 2. INTERVAL CANONS 3. AN EARLY VERSION AND ITS IMPLICATION NOTES

11 - A Is for Apple: The Search for an American Church Music; or The ABCs of American Church Music: A Is for Apple, B Is for Billings, and C Is for Chapman

NOTES

12 - Beauty and Terror: What Have We to Sing; What Has Worship to Pray?

EVOKING THE CONDITIONS FOR SEEING THE CONTRASTS THE INTELLIGENCE OF THE EMOTIONS AND A SENSE OF THE WORLD THE POETICS OF TRANSFORMATIVE RITUALS REFLECTION ON THESE “NOTATIONS” NOTES

13 - Robin A. Leaver: A Bibliography of His Writings

PREVIOUS BIBLIOGRAPHIES 1964 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 STUDIES IN LITURGICAL MUSICOLOGY DREW STUDIES IN LITURGY CONTEXTUAL BACH STUDIES DOCTORAL DISSERTATIONS FOR WHICH ROBIN A. LEAVER ACTED AS ADVISOR

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