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Index
Cover Half title Title Copyright Contents An Introduction to the Philosophy of Michael Mann Michael Mann and Nonplace: A Nietzschean Element in Mann’s Modern Crime Films “Awakened to Chaos”: Outsiders in The Jericho Mile and Thief Existential Mann “Do You See?” Reflecting on Evil in Manhunter Mann and Übermensch: Evil and Power in Manhunter “Blood in the Moonlight”: Toward an Aesthetics of Horror in The Keep and Manhunter Style, Meaning, and Myth in Public Enemies Interiorization in Public Enemies Mannerism: Neoclassical Style in the Films of Michael Mann The Ethics of Contracts, Conscience, and Courage in The Insider The Commodification of Justice: Michael Mann and Postmodern Law Subjectivity and the Ethics of Duty in Michael Mann’s Cinema Natural Man, Natural Rights, and Eros: Conflicting Visions of Nature, Society, and Love in The Last of the Mohicans Emotion, Truth, and Space in Heat Mann’s Biopics and the Methodology of Philosophy: Ali and The Insider Acknowledgments List of Contributors Index
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