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Index
Cover
Half title
Title
Copyright
Contents
An Introduction to the Philosophy of Michael Mann
Michael Mann and Nonplace: A Nietzschean Element in Mann’s Modern Crime Films
“Awakened to Chaos”: Outsiders in The Jericho Mile and Thief
Existential Mann
“Do You See?” Reflecting on Evil in Manhunter
Mann and Übermensch: Evil and Power in Manhunter
“Blood in the Moonlight”: Toward an Aesthetics of Horror in The Keep and Manhunter
Style, Meaning, and Myth in Public Enemies
Interiorization in Public Enemies
Mannerism: Neoclassical Style in the Films of Michael Mann
The Ethics of Contracts, Conscience, and Courage in The Insider
The Commodification of Justice: Michael Mann and Postmodern Law
Subjectivity and the Ethics of Duty in Michael Mann’s Cinema
Natural Man, Natural Rights, and Eros: Conflicting Visions of Nature, Society, and Love in The Last of the Mohicans
Emotion, Truth, and Space in Heat
Mann’s Biopics and the Methodology of Philosophy: Ali and The Insider
Acknowledgments
List of Contributors
Index
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