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Index
Cover Page
Title Page
Copyright Page
Contents
Assimilate
Acknowledgments
Foreword by Stephen Mallinder
Introduction: The Front Lines
Part I Technology and the Preconditions of Industrial Music
Chapter 1 Italian Futurism
Chapter 2 William S. Burroughs
Chapter 3 Industrial Music and Art Music
Part II Industrial Geography
Chapter 4 Northern England
Chapter 5 Berlin
Chapter 6 San Francisco
Chapter 7 Mail Art, Tape Technology, and the Network
Part III Industrial Musical Style
Chapter 8 The Tyranny of the Beat: Dance Music and Identity Crisis
Chapter 9 “After Cease to Exist”: England 1981–1985
Chapter 10 Body to Body: Belgian EBM 1981–1985
Chapter 11 Industrial Music as a Theater of Cruelty
Chapter 12 “She’s a Sleeping Beast”: Skinny Puppy and the Feminine Gothic
Part IV Industrial Politics
Chapter 13 Back and Forth: Industrial Music and Fascism
Chapter 14 White Souls in Black Suits: Industrial Music and Race
Part V People and Industrial Music
Chapter 15 Wild Planet: WaxTrax! Records and Global Dance Scenes
Chapter 16 Q: Why Do We Act Like Machines? A: We Do Not.
Chapter 17 Death
Chapter 18 Wonder
Suture: From the Author’s Diary
Postscript: Is There Any Escape for Noise?
Sources Cited
Notes
Index
Footnotes
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