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Index
Cover
Half Title
Title Page
Copyright
Dedication
Contents
List of Figures
Acknowledgments
Introduction: Neoliberalism and Global Cinema: Subjectivities, Publics, and New Forms of Resistance
Part I: Hollywood and Global Dominance
1. “For a Better Deal, Harass Your Governor!”: Neoliberalism and Hollywood
2. A Legacy of Neoliberalism: Patterns in Media Conglomeration
3. Twenty-first Century Neoliberal Man
Part II: Latin America
4. Cuban Cinema: A Case of Accelerated Underdevelopment
5. Politics and Privatization in Peruvian Cinema: Grupo Chaski’s Aesthetics of Survival
6. Form, Politics, and Culture: A Case Study of The Take, The Revolution Will Not Be Televised, and Listen to Venezuela
Part III: Asia
7. Market Socialism and Its Discontent: Jia Zhangke’s Cinematic Narrative of China’s Transition in the Age of Global Capital
8. “Leitmotif”: State, Market, and Postsocialist Film Industry under Neoliberal Globalization
9. From Exploitation to Playful Exploits: The Rise of Collectives and the Redefinition of Labor, Life, and Representation in Neoliberal Japan
10. The Underdevelopment of Development: Neoliberalism and the Crisis of Bourgeois Individualism
11. Fragments of Labor: Neoliberal Attitudes and Architectures in Contemporary South Korean Cinema
12. Mainlandization and Neoliberalism with Post-colonial and Chinese Characteristics: Challenges for the Hong Kong Film Industry
13. Neoliberalism and Authoritarianism in Singaporean Cinema: A Case Study of Perth
14. Gambling on Life and Death: Neoliberal Rationality and the Films of Jeffrey Jeturian
Part IV: Africa and Europe
15. Nollywood in Lagos, Lagos in Nollywood Films
16. French Cinema: Counter-Model, Cultural Exception, Resistances
Notes on Contributors
Index
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