Log In
Or create an account -> 
Imperial Library
  • Home
  • About
  • News
  • Upload
  • Forum
  • Help
  • Login/SignUp

Index
Title Page Copyright Page Dedication CHOOSING YOUR STORY Start with a Conflict The Cringe Exercise Trusting Yourself Note Card R&D Concept Is King When Sally Met Harry The Comfort Zone Finding Your Story GET WRITING Binding and Gagging the Internal Critic The Talking Cure The Almighty Verb Throw the Book Away Feeling the Music It’s the Read—Writing Great Film Narrative Dream On Random Thoughts Analyzing Your Characters The Power of Negative Thinking When Great Writing Meets a Great Actor: Writing for a Star Police Investigation Write Truthfully in Imaginary Circumstances: The Mythology Inside You Postcards from the Edge of Creativity Found in Translation STRUCTURE The Most Important Thing I Know and Teach The Character/Action Grid Writing in the Dark The Newspaper Exercise 21 Questions to Keep You on Track Key Things to Know About Your Script Before You Write Four Magic Questions of Screenwriting Creating Unpredictability Using Subgoals and Plot Twists Your Outline Is Your Lifeline The Tool Kit—Resuscitative Remedy for Writer’s Block and Blank-Page Elimination The Genre Game THEME How to Move a Pile of Dirt The Emotionally Charged Icon True Love Finding Universal Themes Refining the Idea The Thematic Line of Dialogue The Emotional Outline Writing from Experience, or Grandma’s Teeth Fell into the Soup Again Change Your Perspective The Union of Opposites From End to End: The Creative Compass CRAFTING SCENES Rhythms, Levels and the Proper Respect Some Things Are Better Left Unsaid Self-Knowledge Availed Us Plenty What Happens Next? Scenes as Concepts Crafting the Kick-Ass Scene Visual Storytelling What Lies Beneath Write Cinematic Scenes I Know What You’re Thinking: Dialogue, Context, Subtext One-Page Character Introduction Better Than Irony CHARACTER DEVELOPMENT On Creating Character Give Me a Dramatic Truth or Give Me Death! Creating Characters Who Work for You, Not Against You Approach Character Like an Actor . . . from the Inside Out! The Character’s Trailer Shot The Scene That Doesn’t Exist The Key to Charismatic Characters Go Ask Rosenkrantz Character Bones The Riddle of the Sphinx The Character Diary Getting Inside Your Character’s Head by Becoming Her Pen Life before FADE IN: Loving and Loathing—How to Get into Your Characters Getting to Know Your Character VERBAL AND NONVERBAL COMMUNICATION Find Your Inner Actor On Dialoguing, the Screenwriting Anarchist’s Way Nonverbal Communication The Big Eavesdrop The Twitch: Objects as Emotions Funny Faces: Tips on Writing Animation False Emotion Building Between the Lines Using Metaphors in Comedy Pick Up a Party Line REVISION Backward Brainstorming Hurt Me, Hurt Me! (Oh, and Help Me Make My Script Better) The Jewel Case Outline “ ‘Aloud,’ He Cried!” Screenwriters: Stop Shooting Yourself in the Foot! The First Ten Pages Prose (and Cons) What to Do When You’re Stuck on a Creative Problem Button It—The Cure for Overwriting Finishing a Script—The Actor Pass NOW WHAT? Creating the Killer Log Line What If It Were Your Money? How to Find and Get an Agent AUTHOR WEBSITES Acknowledgements CREDITS ABOUT THE AUTHORS
  • ← Prev
  • Back
  • Next →
  • ← Prev
  • Back
  • Next →

Chief Librarian: Las Zenow <zenow@riseup.net>
Fork the source code from gitlab.

This is a mirror of the Tor onion service:
http://kx5thpx2olielkihfyo4jgjqfb7zx7wxr3sd4xzt26ochei4m6f7tayd.onion