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Index
Title Page
Acknowledgments
Introduction
Pier Paolo Pasolini and Verse
Pasolini’s Poetry
Jesus Narcissus
Poetic Gazing
Pasolini and the Stage
Pasolini’s Orestiade , the Irrational and Greek Tragedy
Dreams as Gendered Places
Pasolini through the Lens
Il “Cinema di poesia” in Theory and Practice
Violence in Pier Paolo Pasolini’s Cinema
The Bibliography of Salò
Oedipus and Medea According to Pasolini
Pasolini’s Decameron (1971)
Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales
Pasolini and Italian Culture—Final Thoughts
Pasolini as Prophet
Pier Paolo Pasolini’s Influence on Contemporary Italian Culture
Interviews
Interview with omino 71
Pasolini’s Last Interview
Bibliography
Index
About the Contributors
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