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Index
Cover  Series Page Title Page Copyright Dedication Contents  List of Illustrations Acknowledgments Introduction: Cinema as Digital Dream Machine 1. Enlarged Spectatorship: From Realism to Surrealism: Bazin, Barthes, and The (Digital) Sweet Hereafter 2. Interactive Spectatorship: Gaming, Mimicry, and Art Cinema: Between Un chien andalou and eXistenZ 3. Globalized Spectatorship: Ring Around the Superflat Global Village: J-Horror Between Japan and America 4. Posthuman Spectatorship: The Animal in You(Tube): From Los olvidados to “Christian the Lion” 5. Collaborative Spectatorship: The Surrealism of the Stars: From Rose Hobart to Mrs. Rock Hudson Afterword: Marking Cinematic Time Notes Bibliography Index Series List
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