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Index
Cover
Series Page
Title Page
Copyright
Dedication
Contents
List of Illustrations
Acknowledgments
Introduction: Cinema as Digital Dream Machine
1. Enlarged Spectatorship: From Realism to Surrealism: Bazin, Barthes, and The (Digital) Sweet Hereafter
2. Interactive Spectatorship: Gaming, Mimicry, and Art Cinema: Between Un chien andalou and eXistenZ
3. Globalized Spectatorship: Ring Around the Superflat Global Village: J-Horror Between Japan and America
4. Posthuman Spectatorship: The Animal in You(Tube): From Los olvidados to “Christian the Lion”
5. Collaborative Spectatorship: The Surrealism of the Stars: From Rose Hobart to Mrs. Rock Hudson
Afterword: Marking Cinematic Time
Notes
Bibliography
Index
Series List
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