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Index
Cover Page Title Page Copyright Page Contents Introduction Chronology Filmography At the Sign of the Flaming Arcs David W. Griffith Speaks A Poet Who Writes on Motion Picture Films Editorials in Films D. W. Griffith Answers Two Vital Questions D. W. Griffith Producer of the World’s Biggest Picture Five Dollar Movies Prophesied Interviews with Prominent Directors: “And the Greatest of These Is”—David W. Griffith The Story of David Wark Griffith: Part One The Story of David Wark Griffith: Part Two The Story of David Wark Griffith: Part Three The Story of David Wark Griffith: Part Four The Story of David Wark Griffith: Part Five The Real Story of Intolerance The Making of a Masterpiece The Film World’s Greatest Achievement D. W. Griffith Champions England’s Natural Light Took Scenes in the Trenches Griffith Returns from the Front with Official Pictures Made under Fire—Will Use Them in a Film Spectacle of War Griffith—and the Great War Griffith, Maker of Battle Scenes, Sees Real War Pictures and Projectiles Life and the Photodrama How Griffith Picks His Leading Women Humanity’s Language Griffith Points Out Need of Tragedy on the Screen; Likes San Francisco The Poet-Philosopher of the Photoplay Exhibitor Is a Co-Artist, Says D. W. Griffith, Returns from Los Angeles to Open Eastern Studio The Filming of Way Down East The Moral and the Immoral Photoplay The Greatest Moving Picture Producer in the World Griffith Reveals Sartorial Secrets D. W. Griffith’s Screen Version of The Two Orphans Would Fill Its Author with Awe An Intimate Closeup of D. W. Griffith Griffith: Maker of Pictures The Genius of a Masterpiece Griffith Film Stirs Anger of Parisians Stereoscopic Films In and Out of Focus: D. W. Griffith What Are the Chances of a Beginner D. W. Griffith Is Struggling to Pay His Debts How Do You Like the Show? Don’t Blame the Movies! Blame Life! He Might Be the Richest Man in the World His Best Pictures Were the Least Expensive, Says “D. W.” D. W. Griffith Addresses the Academy of Motion Picture Arts and Sciences Walter Huston Interviews D. W. Griffith David Wark Griffith Tells ’Em The Star-Maker Whose Dreams Turned to Dust Film Master Is Not Proud of Films: “They Do Not Endure” D. W. Griffith Tells Plans Which Include Picture Making Return of a Master Griffith Back to Live Here “for Half Century” “Cinema’s Fullest Scope Still Ahead”—D. W. Griffith Forty-Seven Questions from Seymour Stern to D. W. Griffith Flash-Back to Griffith The Writings of D. W. Griffith Index
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