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Index
Cover
Title Page
Table of Contents
Notes on Contributors
Introduction
Part I: Mythography
1 Greek Mythography
Beginnings and Classical Mythography
Post‐classical Mythography
Closing Thoughts
Guide to Further Reading
References
2 Roman Mythography
Introduction
Surviving Texts
A Case Study: The Mythographic Midas
From Narrative to Interpretation: Fulgentius
Afterlife
Guide to Further Reading
References
3 Myth and the Medieval Church
Guide to Further Reading
References
4 The Renaissance Mythographers
Giovanni Boccaccio (1313–1375)
Ludovicus Caelius Rhodiginus (1453–1525), Alexandro ab Alexandro (1463–1525)
Georgius Pictor (1500–1569)
Montifalchius; Julianus Aurelius Havrech
Lilio Gregorio Giraldi (1479–1552)
Vincenzo Cartari (1502?–1570?)
Natale Conti
François Pomey (1618–1673)
The Occult Tradition
Conceptions of Myth in the Renaissance Mythographers
Translations
Guide to Further Reading
References
5 Bulfinch and Graves
Guide to Further Reading
References
6 Myth Collections for Children
Guide to Further Reading
References
7 Contemporary Mythography
Introduction
Echo
Popular Culture and/as Myth
Myth Only Produces More Myth
This is Going to Make a Great Story
Conclusion
Guide to Further Reading
References
Primary sources
Film
Videogame
Part II: Approaches and Themes
8 Circean Enchantments and the Transformations of Allegory
Double Vision
Corrective Lenses
Prisms
Scattered Beams
Guide to Further Reading
References
9 The Comparative Approach
The Eighteenth and Nineteenth Centuries
Smith, Frazer, Harrison
The Aftermath of the Ritualists
The Eranos Set
Walter Burkert: Biological Programs and the Orientalizing Revolution
Looking for Difference: Smith, Lincoln, and Doniger
Guide to Further Reading
References
10 Revisionism
Guide to Further Reading
References
11 Alchemical Interpretations of Classical Myths
Historical Background
“Poetic Theology,” “Prisca Theologia,” and Renaissance Alchemy
Nineteenth‐ and Twentieth‐Century Survival of the Alchemical Readings of Classical Myths
An Example of the Diversity of Alchemical Exegeses of Myths
The Classical Scholarship of the Alchemists
Alchemical elaborations on classical myths
Responses of mythographs to the alchemical exegesis of myths
Guide to Further Reading
References
12 Nationalism and Cosmopolitanism
Guide to Further Reading
References
13 The Golden Age
Guide to Further Reading
Appendix
Terminology
References
14 Matriarchy and Utopia
Guide to Further Reading
References
Part III: Myth, Creativity, and the Mind
15 The Half‐Blood Hero
Gods in the Modern World
Re‐evaluating the Classical Tradition
Mythography and Intertextuality
Guide to Further Reading
References
16 Myth as Case Study
Guide to Further Reading
References
17 Mythical Narrative and Self‐Development
Guide to Further Reading
References
18 Finding Asylum for Virginia Woolf’s Classical Visions
Guide to Further Reading
References
Part IV: Iconic Figures and Texts
19 Orpheus and Eurydice
Dismembering Orpheus
Remembering Eurydice
Guide to Further Reading
References
20 Narcissus and Echo
Echo: See Narcissus
Metamorphosis of Narcissus
Narcissus and Echo
The Nymph Echo
Tales of Love
Guide to Further Reading
References
21 Prometheus, Pygmalion, and Helen
Introduction: Science Fiction and (or as) Mythology
Prometheus
Pygmalion
Helen
Conclusion
Guide to Further Reading
References
22 Dionysus in Rome
Introduction
Earliest Evidence for Dionysus in Italy
Liberalia
Bacchanalia
Acknowledgments
Guide to Further Reading
References
23 Cupid and Psyche
Allegory
Visual Art
Translations
Literary Interpretations
Guide to Further Reading
References
24 Constructing a Mythic City in the Book of the City of Ladies
Christine’s Many‐Layered Mythic City in the Book of the City of Ladies
A New Space for Women and the Rewriting of Myth
Book of the City of Ladies, Part II
Book of the City of Ladies, Part III
Guide to Further Reading
References
25 Francis Bacon’s Wisdom of the Ancients
Guide to Further Reading
References
26 Pieter Bruegel the Elder’s Landscape with the Fall of Icarus
Guide to Further Reading
References
27 Ancient and Modern Re‐sounding
Two Scores for the Price of One: Differing Sources, Forms, and Prologues of Il ritorno d’Ulisse in patria
Revamping a Classic: Towards Understanding the Reception of Homer’s Odyssey in Seventeenth‐Century Venice
Reconceiving Greek Tragedy: The Florentine Camerata and the Accademia degli Incogniti
Penelope’s Song and Fidelity: Monteverdi’s Ancient and Modern Music
Guide to Further Reading
References
28 Shelley Prometheus Unbound
Guide to Further Reading
References
29 George Bernard Shaw
Guide to Further Reading
References
30 Camus and the Myth of Sisyphus
Sisyphus’ Hatred of Death and Scorn for the Gods
Epicurean Hatred of Death and Scorn for the Gods
The Happiness of Sisyphus, Pindar, and Valéry
Conclusions
Guide to Further Reading
References
31 Creative Strategies
The Reception of von Trier’s Medea
From Settings to Fascinating Landscapes: Trier’s Depiction of Nature
Always the Provocateur: From one Murderer and Two Deaths to Two Murderers and a Suicide
Guide to Further Reading
References
32 Regarding the Pain of Others with Marsyas
Why Marsyas?
Guide to Further Reading
References
Index
End User License Agreement
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