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Index
Cover
Title
Copyright
Contents
List of figures
List of contributors
Acknowledgements
Introduction
Part I Geopolitics and transnationalism of art production
1 Beyond “East” and “West” through The Eternal Network: networked artists’ communities as counter-publics of Cold War Europe
2 Tactical networking: Yugoslav performing and visual arts between East and West
3 Connection with the world: internationalism and new art practice in Yugoslavia
4 Questioning the East: artistic practices and social context on the edge
Part II Locating the second public sphere
5 Basements, attics, streets and courtyards: the reinvention of marginal art spaces in Romania during socialism
6 Performing the proletarian public sphere: gender and labour in the art of Tomislav Gotovac
7 Outside by being inside: unofficial artistic strategies in the former Czechoslovakia in the 1970s and 1980s
8 From a local to a national to a transnational public sphere: the emergence of solidarity in Poland from a theatrical perspective
9 Surveilling the public sphere: the first Hungarian happening in secret agents’ reports
10 Performance art in Latvia as intermedial appropriation
11 Escape into nature!: the politics of melancholy in Czechoslovakian performance art
Part III Facets of gender in the second public sphere
12 Gender, feminism, and the second public sphere in East European performance art
13 Decision as art: performance in the Balkans
14 Communities of practice: performing women in the second public sphere
15 Artistic collaborations of performing women in the GDR
Part IV Post-socialist performance
16 Socialist performance replaced: re-enactment as a critical strategy in contemporary East European art
List of Performances Index
Names Index
Terms Index
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