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Index
Title Copyright Background story TIP 1: SIDECHAIN EFFECT TIP 2: SUBBOOM EFFECT TIP 3: REVERB & DELAYS TIP 4: LOUDNESS TIP 5: LEFT AND RIGHT EQ TIP 6: MULTIBAND COMPRESSOR TIP 7: PRESENCE TIP 8: EQ’ING TIP 9: HOW TO CREATE MORE ATTACK ON YOUR KICKS TIP 10: MOTIVATION TIP 11: LOUDER = WIDER TIP 12: HARD DISK CLIPPING TIP 13: MIXING VOCALS TIP 14: STEREO IMAGING TIP 15: KICK VS BASLINE TIP 16: LAYERING SYNTHS TIP 17: COOL EFFECT TIP 18: TAKING CONTROL OF YOUR MIXDOWN TIP 19: MID-SIDE EQ - STEREO WIDENING - MASTERING TIP 20: BUSINESS TIP TIP 21: VOCAL MIXING TIP 22: PARALLEL COMPRESSION TIP 23: KEY OF A TRACK TIP 24: KICK ENHANCEMENT TIP 25: PITCHBEND TIP 26: EQ TIP 27: COMPRESSION TIP 28: WORKFLOW TIP 29: MIXING / MASTERING TIP 30: BUSINESS TIP 31: MIXING AND LEVELING TIP 32: MIXING / SOUNDDESIGN TIP 33: REVERB TIP 34: AUTOMATION TIP 35: MASTERING TIP 36: HOW TO START YOUR MIX! TIP 37: MONO TIP 38: WRITERS BLOCK AND CREATIVITY TIP 39: PRODUCTION TIP: MAKING A COOL BASS TIP 40: HOW TO GET YOUR RECORD SIGNED! TIP 41: LOUDNESS TIP 42: KNOW WHEN TO STOP! TIP 43: WIDENING UP YOUR SOUND TIP 44: AMBIENT NOISES OR BACKGROUND ACTION IN A TRACK TIP 45: PHYSICS / EQ / ACOUSTICS TIP 46: SUBTRACTIVE AND ADDITIVE EQ’ING IN COMMERCIAL DANCE MUSIC. TIP 47: WORKING WITH A MUSICAL (BUSINESS) PARTNER TIP 48: INCOME STREAMS FOR DJ’S AND PRODUCERS TIP 49: MONITOR VOLUMES TIP 50: PHASE PART 1 TIP 51: PHASE PART 2 TIP 52: WHERE DO I PLACE MY SUBWOOFER? TIP 53: LAYERING SYNTHS PART 2 TIP 54: LOUDNESS TIP 55: HOW TO SAVE CPU TIP 56: HARMONIC EXCITER TIP 57: VOCODER TIP 58: TRANSIENT DESIGNERS TIP 59: DYNAMIC EQ-ING TIP 60: EXPORT REFERENCE TIP 61: PROBLEMS IN THE HIGH END TIP 62: MASTERING TIP 63: HOW TO MAKE A SCARY SOUNDEFFECT OR INTERESTING BUILDUP TIP 64: TEMPLATES TIP 65: SONG TEMPO TIP 66: SPEED TIP 67: MIXING TIP 68: MIXING KICK & BASS VS DROP MELODY TIP 69: FOLDER TRACKS TIP 70: THE NOISE GATE TIP 71: MIDRANGE TIP 72: WIDE STEREO LEAD TIP 73: LAYERING TIP 74: MUDDINESS TIP 75: HOW TO GIVE YOUR LEAD SOUND A LITTLE EXTRA SPICE TIP 76: CAREER TIP 77: VOCAL SIDE-CHAIN TIP 78: RHYTMIC GATING TIP 79: A ‘LIVELY’ SOUND TIP 80: EQ’ING BEFORE OR AFTER COMPRESSION TIP 81: SUPERWIDE TIP 82: CREATING YOUR OWN SOUND TIP 83: HOW TO ARRANGE YOUR TRACK? TIP 84: SPEAKER PLACEMENT TIP 85: PANNING TIP 86: DISTORTION TIP 87: BREAKING DOWN THE TRACK TIP 88: WHAT IS RESONANCE OR BANDPASS IN A FILTER OR EQ? WHAT DOES IT DO? TIP 89: MIXING IN THE BOX OR OUT OF THE BOX? TIP 90: WORKFLOW: TIP 91: SUB BASSSS TIP 92: ZERO LATENCY EQ (MINIMUM PHASE) VS LINEAR EQ TIP 93: EQ’ING REVERBS & DELAYS TIP 94: SAMPLING & RESTORING OLD SAMPLES TIP 95: THAT: “WHAT THE FUCK JUST HAPPENED MOMENT!” TIP 96: PERFORMANCE TIP 97: MATCH EQ TIP 98: REVERB TIP 99: BACK TO BASICS TIP 100: MAKING THE 808 TIP 101: A MUSICAL FORMULA.... TIP 102: HOW TO CREATE A BIG LEAD!? TIP 103: LOWPASS TIP 104: BUSINESS TIP TIP 105: SAMPLING, A FEW INS AND OUTS YOU MIGHT NOT NOW TIP 106: VOCALS TIP 107: CREATING MORE IMPACT ON THE DROP TIP 108: THE WAVESHAPER TIP 109: PHASE AND MONO QUESTIONS TIP 110: HOW TO KEEP YOUR DELAYS TIGHT TIP 111: REVERB / MONO TIP 112: KICK VS BASS TIP 113: PRODUCTION TIP: “THE SAMPLER” TIP 114: FX CHAIN EXPERIMENTING TIP 115: THICKEN UP YOUR VOCALS & LEAD TIP 116: SOMETIMES TINY DIFFERENCES MATTER IN THE FINAL END RESULT TIP 117: HOW TO USE THE SOLO BUTTON?! TIP 118: GROUPING TIP 119: QUANTIZE / SWING TIP 120: THE IMPORTANCE OF RECOGNIZABLE LOOPS TIP 121: GROOVE EXTRACTION TIP 122: MELODIES TIP 123: SERIAL COMPRESSION TRICK TIP 124: HOW TO CREATE MORE IMPACT ON YOUR DROP TIP 125: WALL OF SOUND TIP 126: MOTIVATION TIP 127: LIMITING & TRANSIENTS TIP 128: EQ AUTOMATION TIP 129: MIXING WITH A SPECTRUM ANALYZER TIP 130: THE EXPANDER TIP 131: BLOCKCHAIN TIP 132: ‘MAGIC’ TIP 133: PRE-DELAY TIP 134: THE BEST WAY TO GET A LOUD MIX! TIP 135: BOOSTING THE LOW END - AN EASY GUIDE TIP 136: “MAKING A HIT IS EASIER THEN COLLECTING THE MONEY FOR IT.” TIP 137: LAYERING TIP 138: SQUEEZING OUT THAT FINAL BIT OF EXTRA LOUDNESS TIP 139: DO YOU MASTER YOUR MIX DIFFERENTLY FOR THE CLUBS VS SPOTIFY & I-TUNES?? TIP 140: FADER RIDING TIP 141: DISTORTION OR SATURATION? TIP 142: KEY COMMANDS TIP 143: HOW TO STACK MUSICAL LAYERS ON TOP OF EACH OTHER. TIP 144: MARKETING TIP 145: CONFIDENCE TIP 146: THE PERFECT INTRO IN A DANCE MUSIC SONG TIP 147: WHEN DO I ACTUALLY START USING THE COMPRESSOR? TIP 148: HOW TO LEVEL THE SUB BAS? TIP 149: WHAT IS MORE IMPORTANT, GOOD SPEAKERS OR A GOOD ACOUSTICALLY TREATED ROOM? TIP 150: WHAT DO I DO WILL ALL THESE FINISHED (ISH) TRACKS? TIP 151: FX SENDS (AUX FX, SENDS, FX BUSS) TIP 152: CREATING THE PERFECT BALANCE BETWEEN KICK & BASS? TIP 153: STEREO VS MID-SIDE MULTIBAND COMPRESSION TIP 154: AN INTERESTING WAY OF SETTING YOUR LEVELS. TIP 155: THE PINK NOISE TRICK TIP 156: PINK NOISE IN MASTERING
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