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Index
Cover
Title Page
Copyright
Contents
Acknowledgments
Notes On Contributors
Introduction: Disability Studies, World Cinema and the Cognitive Code of Reality
Global In(ter)dependent Disability Cinema: Targeting Ephemeral Domains of Belief and Cultivating Aficionados of the Body
‘Beyond Forgiveness’?: Lee Chang-dong’s Oasis (2002) and the Mobilisation of Disability Discourses in the Korean New Wave
Refusing Chromosomal Pairing: Inclusion, Disabled Masculinity, Sexuality and Intimacy in Yo, también (2009)
Dunce! Duffer! Dimwit!: Dyslexia in Bollywood’s Taare Zameen Par (2007)
Landscapes of Children: Picturing Disability in Buñuel’s Los olvidados (1950)
Fearful Reflections: Representations of Disability in Postwar Dutch Cinema (1973–2011)
‘People Endure’: The Function of Autism in Anton’s Right Here (2012)
Displaying Autism: The Thinking and Images of Temple Grandin (2010)
More than the ‘Other’?: On Four Tendencies Regarding the Representation of Disability in Contemporary German Film (2005–2010)
The Other Body: Psychiatric Disability and Pedro Almodóvar (1988–2011)
On the Road to Normalcy: European Road Movies and Disability (2002–2011)
Re-envisioning Italy’s ‘New Man’ in Bella non piangere! (1955)
‘Get Your Legs Back’: Avatar (2009) and the Re-booting of American Individualism
Through the Disability Lens: Revisiting Ousmane Sembène’s Xala (1975) and Camp de Thiaroye (1988)
Homes Wretched and Wrecked: Disability as Social Dis-ease in Kurosawa’s Dodes’ka-den (1970)
Leprosy and the Dialectical Body in Forugh Farrokhzad’s The House is Black (1964)
Index
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