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Index
Cover Pag
Title Page
Copyright Page
A Barbara, encore une fois
Contents
Note on Notes
Preface
Acknowledgments
Part One: 1907–1914
Before the Canon
Selected Texts
Georges Méliès, “Cinematographic Views” (1907)
Rémy de Gourmont, “Epilogues: Cinematograph” (1907)
Adolphe Brisson, “Theater Column: L’Assassinat du Duc de Guise” (1908)
Jules Romains, “The Crowd at the Cinematograph” (1911)
[Louis Feuillade], ‘‘Scènes de la vie telle qu’elle est” (1911)
Victorin Jasset, “An Essay on Mise-en-scène in Cinematography” (1911)
Ricciotto Canudo, “The Birth of a Sixth Art” (1911)
Abel Gance, “A Sixth Art” (1912)
Yhcam, “Cinematography” (1912)
Louis Haugmard, “The ‘Aesthetic’ of the Cinematograph” (1913)
René Doumic, “Drama Review: The Cinema Age” (1913)
Maurice Raynal, “Cinema Column: Fantômas” (1914)
Leopold Survage, “Colored Rhythm” (1914)
Part Two: 1915–1919
Photogénie and Company
Selected Texts
Jacques de Baroncelli, “Pantomime, Music, Cinema” (1915)
Colette, “Cinema: The Cheat” (1917)
Paul Souday, “On the Cinema” (1916)
Emile Vuillermoz, “Before the Screen” (1916)
Emile Vuillermoz, “Before the Screen: Les Frères corses” (1917)
Colette, “Film Criticism: Mater Dolorosa” (1917)
Louis Delluc, “Beauty in the Cinema” (1917)
Louis Delluc, “Antoine at Work” (1917)
Philippe Soupault, “Note 1 on the Cinema” (1918)
Louis Delluc, “Notes to Myself: La Dixième Symphonie” (1918)
Marcel L’Herbier, “Hermes and Silence” (1918)
Emile Vuillermoz, “Before the Screen: Hermes and Silence” (1918)
Louis Delluc, “The Crowd” (1918)
Louis Aragon, “On Decor” (1918)
Emile Vuillermoz, “Before the Screen: La Dixième Symphonie” (1918)
Louis Delluc, “Cinema: The Cold Deck” (1919)
Jean Cocteau, “Carte Blanche” (1919)
Marcel Gromaire, “A Painter’s Ideas about the Cinema” (1919)
Blaise Cendrars, “The Modern: A New Art, the Cinema” (1919)
Henri Diamant-Berger, “The Scenario” (1919)
Henri Diamant-Berger, “The Decoupage” (1919)
Louis Delluc, “Cinema: The Outlaw and His Wife” (1919)
André Antoine, “A Proposal on the Cinema” (1919)
Part Three: 1920–1924
Cinégraphie and the Search for Specificity
Selected Texts
Louis Feuillade, “Introduction,” Barrabas [1920] and Les Deux Gamines [1921]
Emile Vuillermoz, “Before the Screen: Aesthetic” (1920)
Louis Delluc, “Cadence” (1920)
Léon Moussinac, “Cinema: Broken Blossoms” (1921)
Jean Epstein, “Magnification” (1921)
Jean Epstein, “The Senses 1 (b)” (1921)
Lionel Landry, “El Dorado” (1921)
Léon Moussinac, “Cinema: Fièvre, L’Atlantide, El Dorado” (1921)
Louis Delluc, “From Orestes to Rio Jim” (1921)
Elie Faure, “The Art of Cineplastics” (1922)
Lionel Landry, “Caligarism or the Theater’s Revenge” (1922)
Blaise Cendrars, “On The Cabinet of Doctor Caligari” (1922)
Fernand Léger, “La Roue: Its Plastic Quality” (1922)
Emile Vuillermoz, “La Roue” (1923)
René Clair, “La Roue” (1923)
Léon Moussinac, “On Cinegraphic Rhythm” (1923)
Robert Desnos, “Dream and Cinema” (1923)
Louis Delluc, “Prologue” (1923)
Ricciotto Canudo, “Reflections on the Seventh Art” [1923]
René Clair, “Coeur fidèle” (1924)
Germaine Dulac, “The Expressive Techniques of the Cinema” (1924)
Jean Epstein, “On Certain Characteristics of Photogénie” (1924)
Part Four: 1925–1929
The Great Debates
Selected Texts
Jean Epstein, “For a New Avant-Garde” (1925)
Jean Goudal, “Surrealism and Cinema” (1925)
Paul Ramain, “The Influence of Dream on the Cinema” (1925)
Jacques Feyder, “Visual Transpositions” (1925)
René Clair, “Rhythm” (1925)
René Clair, “Pure Cinema and Commercial Cinema” (1925)
Henri Chomette, “Second Stage” (1925)
Fernand Léger, “Painting and Cinema” (1925)
Henri Fescourt and Jean-Louis Bouquet, Idea and Screen: Opinions on the Cinema, vol. 1 (1925)
Henri Fescourt and Jean-Louis Bouquet, Idea and Screen: Opinions on the Cinema, vol. 3 (1926)
Pierre Porte, “Pure Cinema” (1926)
Germaine Dulac, “Aesthetics, Obstacles, Integral Cinégraphie” (1926)
Robert Desnos, ‘Fantômas, Les Vampires, Les Mystères de New York” (1927)
Abel Gance, “My Napoleon” (1927)
Emile Vuillermoz,”Napoléon” (1927)
Emile Vuillermoz, “Abel Gance and Napoléon” (1927)
Jean Prévost, “The Cinema: Metropolis” (1927)
Antonin Artaud, “Cinema and Reality” (1927)
Jean Epstein, “Art of Incidence” (1927)
Léon Moussinac, “Cinema: Social Expression” (1927)
Léon Moussinac, “Eisenstein” (1928)
Léon Moussinac, “The Question of the ‘Avant-Garde’ Film” (1928)
Jean Epstein, “Fragments of Sky” (1928)
Jean Epstein, “Approaches to Truth” (1928)
Léon Moussinac, “Technique and the Future” (1929)
Robert Desnos, “Avant-Garde Cinema” (1929)
Robert Aron, “Films of Revolt” (1929)
Index
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